An action-packed dystopian story teeming with celestial warriors and diabolical machines.
Humans and angels band together against a common mechanical enemy in Harland’s YA fantasy novel, the conclusion of a trilogy.
In a distant-future Australia, Ferren has led the human Residuals in resisting the Humen, powerful artificial beings that have been taking unwitting Residuals into their military service. Now the Humen prepare to face off against the hosts of Heaven, a fight that Ferren and others anticipate will end in the Humen’s defeat. It seems the Humen have a new leader: an “evil angel” who zips across the sky in a flying ship. Hoping to align themselves with God’s messengers, the Residuals turn to Miriael, a warrior angel “shot down” from Heaven who’s now essentially a hybrid, part-spiritual and part-physical. If she can convince Heaven’s forces to join with humans (“What’s stopping Heaven saying yes to an alliance? Why are they taking so long about it?”), then maybe they can take down the Humen once and for all. Harland focuses this final installment of his fantasy series on action. The set pieces are memorable—Miriael, along with Ferren’s sister Shanna, witness angels and Humen clash; myriad Residuals flee their enemy in the midst of an intense hailstorm; and the lengthy, riveting climax is searing. While the text includes occasional recaps covering prior volumes, the appreciation of some character dynamics relies heavily on readers’ knowledge of the earlier books. Plenty of story unfolds in this novel, however, as one character’s demand to oversee the Residuals’ assembly sparks contempt and another’s subdued romantic feelings beget petty jealousy. Tension steadily builds as the Humen work on an “unimaginably huge construction” for a purpose not immediately apparent. The author rounds out this brisk finale with appearances from archangels, Miriael’s “visionary dreams,” and a wholly satisfying wrap-up.
An action-packed dystopian story teeming with celestial warriors and diabolical machines.Pub Date: Feb. 26, 2025
ISBN: 9781925956900
Page Count: 310
Publisher: IFWG Publishing International
Review Posted Online: Feb. 4, 2025
Review Program: Kirkus Indie
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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