A supernatural comic caper that reads like one of the late Donald Westlake’s Dortmunder novels sprinkled with some fairy...
A thief just out of prison is recruited to steal a powerful magical talisman.
Kadrey (Killing Pretty, 2015, etc.) takes a break from his popular Sandman Slim series to offer a stand-alone horror-comedy that pulls heavily from all manner of genres and throws in everything but the kitchen sink. The novel opens 4,000 years ago on an angel, Qaphsiel, who’s normally in charge of office supplies for the heavenly host but is on a quick mission to Earth when he loses the titular MacGuffin. Back in the present day, Charlie “Coop” Cooper is using his light-fingered talents and a talkative poltergeist to steal some documents when he’s busted by the LAPD’s Criminal Thaumaturgy squad. After a quick stint in the pokey, Coop hooks back up with his buddy Morty Ramsey, who’s been approached with a pricey breaking and entering job that could net them hundreds of thousands of dollars. An enigmatic client named Mr. Babylon wants to hire Coop to steal a family heirloom from a rival, but he has his doubts about Coop’s abilities. “I have something you don’t, Mr. Babylon,” Coop explains. “Another ability. A rare one. I’m immune to magic. Conjury, enchantments, fascinations, mesmerisms, mind reading, and ladies sawed in half. The whole bit.” From here, the book explodes into an overstuffed heist movie complete with a band of duplicitous cronies, two bickering agents from the government's Department of Peculiar Science, a hard-traveling murderer cut from the same cloth as Cormac McCarthy’s Anton Chigurh, and a pair of inept cults that are mostly around for comic relief. It’s all a bit much to take in, and Kadrey offers a lot of stylistic similarities to Gaiman and Pratchett’s superior Good Omens (2009). Nevertheless, there’s definitely an audience for this kind of madcap supernatural comedy, and it’s likely to find those readers pretty handily.
A supernatural comic caper that reads like one of the late Donald Westlake’s Dortmunder novels sprinkled with some fairy dust.Pub Date: April 19, 2016
ISBN: 978-0-06-238954-1
Page Count: 384
Publisher: Harper Voyager
Review Posted Online: Feb. 3, 2016
Kirkus Reviews Issue: Feb. 15, 2016
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
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