Bright and bold, this will certainly catch the eye of every reader.
A color-concept book with a bilingual, cultural twist.
Chinese New Year gets a daring new look. A single color dominates a complete page spread. On recto, the name of the featured color in English is displayed on a white background while both the traditional Chinese characters and a romanized rendition, complete with accent marks, appear below in an inverse color scheme. A single cultural object related to Chinese New Year fully occupies the right. Here Lo’s talents shine with his renderings. The composition is simple, with the object sitting solo, centered within the line of sight. Artistic liberties are tastefully taken, with the object portrayed in a singular color that is occasionally contrary to tradition. Yet no embellishments are lost in the deceptively spare composition. This is best observed on the portrait of the teapot. Lo makes sure that no flower, leaf, or curly twirl of its details is omitted. The objects seem to pop due to the skilled shading and tricks of perspective. The background itself teems with textures, with occasional splatters of paint, bleeding edges, and blooms of watercolor that unevenly occupy the space. Vocabulary-wise, the only outlier is the use of the word “Cerulean” instead of “light blue,” which may require an explanation. A guide describing each object follows.
Bright and bold, this will certainly catch the eye of every reader. (Picture book 2-5)Pub Date: Nov. 12, 2019
ISBN: 978-0-8234-4371-0
Page Count: 40
Publisher: Holiday House
Review Posted Online: Sept. 28, 2019
Kirkus Reviews Issue: Oct. 15, 2019
BOOK REVIEW
A clever conceit but a bland execution.
In this minimalist Australian import, readers are encouraged to guess animals based on select written and visual clues.
On each recto, readers see the hindquarters of an animal, and three simple clues ask them to guess what kind of animal they may belong to. “I have long furry ears and a small nose. / I live in a burrow in the ground. / I have a white fluffy tail. / I AM A….” The splashy watercolor rear legs and tail are ambiguous enough that they may have readers second-guessing the obvious answer. Turning the page, however, readers discover both the well-defined front half of the animal and the animal’s name: “RABBIT.” Canty uses stock 19th-century animal illustrations layered with watercolor enhancements, creating a somber yet surprising tone. Two tailless animals, a frog and human readers, are included in the roster, making the “tails” referenced in the title symbolic rather than literal. Two red herrings, the image of a mouse between the clues for and image of an elephant and (inexplicably) a squirrel leading to a giraffe, fall flat, with no other cues to young readers that they are jokes. The quirky illustrations, earthy colors, and lack of exhibited enthusiasm will make this book’s audience a niche one. There is no backmatter.
A clever conceit but a bland execution. (Informational picture book. 2-5)Pub Date: Oct. 23, 2018
ISBN: 978-1-5362-0033-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
Genial starter nonfiction.
Panels activated by sliding tabs introduce youngsters to the human body.
The information is presented in matter-of-fact narration and captioned, graphically simple art featuring rounded lines, oversized heads and eyes, and muted colors. The sliding panels reveal new scenes on both sides of the page, and arrows on the large tabs indicate the direction to pull them (some tabs work left and right and others up and down). Some of the tabs show only slight changes (a white child reaches for a teddy bear, demonstrating how arms and hands work), while others are much more surprising (a different white child runs to a door and on the other side of the panel is shown sitting on the toilet). The double-page spreads employ broad themes as organizers, such as “Your Body,” “Eating Right,” and “Taking Care of Your Body.” Much of the content is focused on the outside of the body, but one panel does slide to reveal an X-ray image of a skeleton. While there are a few dark brown and amber skin tones, it is mostly white children who appear in the pages to demonstrate body movements, self-care, visiting the doctor, senses, and feelings. The companion volume, Baby Animals, employs the same style of sliding panels to introduce youngsters to little critters and their parents, from baboons to penguins.
Genial starter nonfiction. (Board book. 2-5)Pub Date: March 5, 2019
ISBN: 978-2-40800-850-5
Page Count: 12
Publisher: Twirl/Chronicle
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
BOOK REVIEW
BOOK REVIEW
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