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ReMaking America

A sophisticated, persuasive argument that “Made in America” means a stronger America.

Awards & Accolades

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In a series of essays, a team of experts argues that a robust manufacturing sector is necessary to keep the American dream alive.

Following up on the notable 2009 work Manufacturing a Better Future for America, editor McCormack (Lean Machines, 2002, etc.) and like-minded business wonks suggest ways to nurture a renaissance in U.S. manufacturing. The book comes at a pivotal moment; the sector has lost nearly 6 million jobs in the 21st century, and its contribution to the gross domestic product declined to 11.9 percent in 2012 from 22.7 percent in 1970. Renewed interest in rebuilding America’s manufacturing base, however, offers a chance to change course. The book’s 10 contributing authors—including business executives, engineers and journalists—contend that the United States must adopt new policies regarding trade, infrastructure, taxes, education and energy and develop a comprehensive strategy to encourage domestic production while leveling the international playing field. McCormack opens with a sobering assessment of the state of American manufacturing, and his survey of key industries such as semiconductors, chemicals and automobiles reveals the United States as a diminished giant, outstripped by global rivals. In an equally compelling chapter, trade lawyer Eric Garfinkel calls for stronger enforcement of World Trade Organization rules to prevent some nations from bending them. Journalist Harold Meyerson is perhaps the group’s biggest skeptic, as he points to Germany’s vibrant manufacturing culture to argue that an industrial revival without labor unions is no revival at all. This articulate, well-sourced and skillfully constructed anthology covers an impressive amount of ground. The authors tackle thorny issues, such as value-added taxation, labor relations and Chinese currency manipulation, and often challenge prevailing wisdom; for example, manufacturing advocate Harry Moser contends that corporations’ narrow focus on labor costs has led them to overlook the sizable hidden costs of shifting production overseas. Although none of the proposed remedies are easy fixes, the book’s main message—that manufacturing is critical to the future of American prosperity—is gaining traction among economic observers. The chapters are long and densely packed, and McCormack wisely gives each chapter a synopsis for quick reference.

A sophisticated, persuasive argument that “Made in America” means a stronger America.

Pub Date: July 10, 2013

ISBN: 978-0989257411

Page Count: 380

Publisher: Alliance for American Manufacturing

Review Posted Online: July 26, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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