by Richard Noll ‧ RELEASE DATE: Sept. 1, 1997
A fascinating, carefully researched study of the origins of Carl Jung's highly original, influential version of human psychology, and a work likely to generate intense debate. Noll's (History of Science/Harvard) goal here seems to be to deepen and expand arguments put forth in his previous work (The Jung Cult, not reviewed) that Jung didn't so much intend to develop a new form of psychoanalysis as to create a new pagan religion, one that was a unique (and alarming) blend of ``German mysticism, Hellenistic paganism, and Gnosticism,'' colored by Jung's growing anti-Semitism. Noll focuses primarily on the first two decades of the century, the period that saw Jung aggressively shape his revolutionary theories and break with Freud (he had been Freud's chosen successor). He traces in great detail Jung's fascination with the many arcane schools of mysticism current in northern Europe at that time, uncovering groups, books, and some bizarre would-be prophets, and he demonstrates the ways in which Jung incorporated their teachings into his theories. He also stresses the importance of a little-known incident in 1913 during which Jung, after repeatedly inducing a trancelike state, imagined that ``his head changed into a lion and he became a god.'' This occurrence, Noll argues, is a central event in Jung's life, validating for the Swiss thinker the idea that he was a pagan savior, sent to summon Aryan culture back from the failed religion of Christianity (``a Jewish religion,'' Noll describes Jung's view, ``that was cruelly imposed on the pagan peoples of Europe''). All of this is bound to be intensely controversial, and Noll doesn't help his case by a sometimes scattershot approach. Still, there is much here that's hard to refute, and the image of Jung that emerges from this thoughtful study is deeply disturbing. (For another view of Jung, see Frank McLynn, Carl Gustav Jung, p. TKTK.) Surely not the final word, but nonetheless an important, angry work of historical revisionism. (photo insert, not seen) (Author tour)
Pub Date: Sept. 1, 1997
ISBN: 0-679-44945-0
Page Count: 352
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1997
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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by Richard Wright ; illustrated by Nina Crews
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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