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WHEN WE WERE YOUNG

A funny and poignant portrait of friendship.

Estranged childhood friends attempt to reconnect while walking the Thames Path.

Years ago, in their teens, Joel Thompson and Theo Hern promised each other that one day they would walk the entirety of the Thames Path together. Now, about to turn 30, they haven't spoken in years and are in very different places in life. Theo moved back to his parents' house after having a quarter-life crisis, and they’ve just served him an eviction notice a week before his 30th birthday. Joel, in London, has been doing extremely well—impressive career in television, loving relationship with his high school sweetheart—except for one piece of news he’s just received. Wanting to make things right with his old friend, Joel shows up on his doorstep on the morning of Theo’s birthday, imploring Theo to finally walk the Thames Path together. Despite his reluctance and the still-fresh pain from their past, Theo meets Joel at the trailhead and the walk begins. Along the way, old wounds will be reopened, but maybe that way they can finally heal. Writing with both great humor and heart, Roper has a light touch that keeps the reader laughing even while he gently pulls on the heartstrings. Theo and Joel have hurt each other in the past, and their history of miscommunication and trauma feels incredibly real, but their longing for reconnection and nostalgia for what they once were also shines through. Even in hard moments, there is an element of farce, especially in scenes when Joel, Theo, and Joel’s girlfriend, Amber, play around with who knows what secret. Although the end might not land with everyone, the story of two friends finding each other again will resonate with most.

A funny and poignant portrait of friendship.

Pub Date: July 20, 2021

ISBN: 978-0-525-53991-9

Page Count: 352

Publisher: Putnam

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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