Passionate, intelligently written, thoroughly entertaining historical fiction.
Wheeler (The Deliverance, 2003, etc.) brings to life robber barons, Irish immigrant miners and lost souls among the trash heaps and bawdy houses, headframes and smelters of 1890s Butte, Mont.
Two iron men grow rich as copper, silver and gold are pried from the ground to power the Industrial Revolution. Marcus Daly, a miner who blasted his way to ownership of Anaconda Copper, and William Andrews Clark, a dour and bloodless Scot, war over The Richest Hill on Earth, and the casualties litter Butte, a "battered, filthy, chaotic, ugly city." Miners do the hard work that makes the copper capitalists rich, miners who earn three-and-half dollars a day and die of silicosis, tuberculosis and typhus in the shadow of pristine mountains. Wheeler adds the rapacious Rockefellers and a real-life opportunist named F. Augustus Heinze, but the power within this beautifully researched novel lives through the fictional characters that rage among the pits, sheds, stamp mills and saloons. There is J. Fellowes Hall, a newspaperman imported by Clark to edit his mouthpiece, the Butte Mineral. Clark lusts for an appointment to the U.S. Senate no matter the cost in bribes and "boodlers." There is Slanting Agnes, a "fey woman" who catches flashes of the future. Royal Maxwell, a syphilitic undertaker, finds comfort on Mercury Street, "precinct of the bawds." "Red Alice" Brophy, a Dublin Gulch widow and dollar-a-day washerwoman, grows angry, begins to agitate for socialism and the ouster of corrupt union leader Big Johnny Boyle, earning beatings as a reward. Wheeler’s work isn't character study, nor is it a shoot-’em-up, hero-centric tale. It is a mirror to a time and place where copper, for wires, for brass, for war and peace was clawed from the earth by men as disposable as machinery, men left without care or comfort to hide away in the tunnels so they might once more be warm as they cough up their lives.
Passionate, intelligently written, thoroughly entertaining historical fiction.Pub Date: Dec. 1, 2011
ISBN: 978-0-7653-2816-8
Page Count: 320
Publisher: Forge
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Oct. 15, 2011
A little-known story that will have special resonance for today’s resisters.
Based on an actual incident in Nazi-occupied Belgium, Ramzipoor’s debut is a tragicomic account of fake news for a cause.
Structured like a heist movie, the novel follows several members of a conspiracy in Enghien, Belgium, who have a daring plan. The conspirators do not intend to survive this caper, only to bring some humor—and encouragement for resisters—into the grim existence of Belgians under Nazi rule. To this end, the plotters—among them Marc Aubrion, a journalist and comic; David Spiegelman, an expert forger; Lada Tarcovich, a smuggler and sex worker; and Gamin, a girl masquerading as a male street urchin—intend to...publish a newspaper. And only one issue of a newspaper, to be substituted on one night for the regular evening paper, Le Soir, which has become a mouthpiece for Nazi disinformation. Le Faux Soir, as the changeling paper is appropriately dubbed, will feature satire, doctored photographs making fun of Hitler, and wry requests for a long-overdue Allied invasion. (Target press date: Nov. 11, 1943.) To avoid immediate capture, the Faux Soir staff must act as double agents, convincing (or maybe not) the local Nazi commandant, August Wolff, that they are actually putting out an anti-Allies “propaganda bomb.” The challenge of fleshing out and differentiating so many colorful characters, combined with the sheer logistics of acquiring paper, ink, money, facilities, etc. under the Gestapo’s nose, makes for an excruciatingly slow exposé of how this sausage will be made. The banter here, reminiscent of the better Ocean’s Eleven sequels, keeps the mechanism well oiled, but it is still creaky. A few scenes amply illustrate the brutality of the Occupation, and sexual orientation works its way in: Lada is a lesbian and David, in addition to being a Jew, is gay—August Wolff’s closeted desire may be the only reason David has, so far, escaped the camps. The genuine pathos at the end of this overdetermined rainbow may be worth the wait.
A little-known story that will have special resonance for today’s resisters.Pub Date: Aug. 27, 2019
ISBN: 978-0-7783-0815-7
Page Count: 544
Publisher: Park Row Books
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
A masterpiece, entirely Nobel-worthy.
Two mysterious quests form the core of Murakami’s absorbing seventh novel, whose encyclopedic breadth recalls his earlier successes, A Wild Sheep Chase (1989) and The Wind-Up Bird Chronicle (1997).
In the first of two parallel narratives, 15-year-old Kafka Tamura drops out of school and leaves the Tokyo home he shares with his artist-sculptor father, to seek the mother and sister who left them when Kafka was four years old. Traveling to the small town of Takamatsu, he spends his days at a free library, reconnects with a resourceful older girl who becomes his de facto mentor, and begins to reenact the details of a mysterious “incident” from more than 60 years ago. In 1944, a group of 16 schoolchildren inexplicably “lost consciousness” during an outing in a rural mountain area. Only one of them, Satoru Nakata, emerged from the incident damaged—and it’s he who, decades later, becomes the story’s second protagonist: a childlike, scarcely articulate, mentally challenged sexagenarian who is supported by a possibly guilty government’s “sub city” and possesses the ability to hold conversations (charmingly funny ones) with cats. With masterly skill and considerable subtlety, Murakami gradually plaits together the experiences and fates of Kafka and Nakata, underscoring their increasingly complex symbolic significance with several dazzling subplots and texts: a paternal prophecy echoing the Oedipus legend (from which Kafka also seeks escape); a faux-biblical occurrence in which things that ought not to be in the skies are raining down from them; the bizarre figures of a whore devoted to Hegel’s philosophy; and an otherworldly pimp whose sartorial affectations cloak his true menacing nature; a ghostly forest into which Russian soldiers inexplicably disappear; and—in glancing allusions to Japanese novelist Natsume Soseki—a clever homage to that author’s beguiling 1905 fantasy, I Am a Cat. Murakami is of course himself an immensely reader-friendly novelist, and never has he offered more enticing fare than this enchantingly inventive tale.
A masterpiece, entirely Nobel-worthy.Pub Date: Jan. 24, 2005
ISBN: 1-4000-4366-2
Page Count: 480
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2004
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