A feast for cineastes.
In the manner of Hitchcock/Truffaut (1967) and Cameron Crowe’s Conversations with Wilder (1999), movie critic and documentarian Schickel (Clint: A Retrospective, 2010, etc.) gabs collegially with Martin Scorsese.
After introductory chapters about his youth in New York’s Little Italy, his Catholic upbringing and his early years as the exacting Haig Manoogian’s student in NYU’s film program, Schickel, who almost always strikes the right interrogatory note, guides his subject through a film-by-film consideration of his extensive oeuvre. Later chapters take in pre-production, editing, shooting, working with actors, the uses of color and music and film collecting and restoration. Along the way, Scorsese and Schickel, who are both steeped in film history, share views about dozens of old pictures—their opinionated enthusiasm should lengthen many Netflix queues. Offering a deep look into the aesthetic, technical and commercial realities of filmmaking, Scorsese provides intimate details about the making of his acknowledged masterpieces, including Mean Streets, Taxi Driver, Raging Bull, Goodfellas and The Departed, for which he finally received Oscar recognition. But he is revelatory about his more troubled and misunderstood productions, notably New York, New York and The Last Temptation of Christ, the latter of which set off a firestorm of criticism in religious circles. That controversy is strikingly ironic in this context, since Scorsese presents himself, in spite of the extreme violence of much of his work, as an artist whose principal subject is spirituality; Kundun, about the Dalai Lama, is one of his favorites among his own films. The director’s church-bred point of view is sometimes met with respectful skepticism by Schickel, an avowed atheist, and Scorsese emerges as a fascinating, obsessive, complex guy. He has always seemed the most companionable of film artists, and, except for his own expansive, autobiographically driven documentaries on American and Italian movies, this is the most probing and enjoyable explication of his accomplished career.
A feast for cineastes.Pub Date: March 10, 2011
ISBN: 978-0-307-26840-2
Page Count: 448
Publisher: Knopf
Review Posted Online: Dec. 29, 2010
Kirkus Reviews Issue: Jan. 1, 2011
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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