Nonetheless, a passionate, unsentimental celebration of life’s messiness, whether on an operating table or at a dining table.
In this eloquent collection of essays, five new, the rest previously published, writer/surgeon Selzer (Raising the Dead, 1994) explores spirit and substance, flesh and feeling, pain and epiphany.
Selzer uses his pen as he did the scalpel that he relinquished 15 years ago when he became a writer full-time. He cuts to the guts of ideas about living and dying in “The Surgeon as Priest,” which graphically describes the descent into a diseased abdomen, but also ponders a patient whose skull lesion seemed to be healed by the waters of Lourdes and a contemplative diagnosis made by the Dalai Lama’s physician. Two new pieces offer further meditations on diseases that surgery cannot cure: “Phantom Visions,” which contemplates suicide, and “A Mask on the Face of Death,” a telling essay about the invasion of Haiti by AIDS. Readers queasy about detailed descriptions of blood, physical corruption, and bodily functions will be put off by the graphic depictions in “How to Build a Slaughterhouse” and in “The Corpse,” which explains how to prepare a corpse for viewing. The author’s intention is not to horrify, however, but to explore the flesh as the soul made visible. He achieves that goal most admirably with “Diary of an Infidel: Notes from a Monastery,” an account of his lengthy stay in a Venetian abbey whose abstemious monks are seduced by his offerings of chocolate and brandy but reject his medical care. Humor leavens much of the collection, including wry essays on “Writer’s Block” and baldness; Selzer fans will welcome repeats of autobiographical reminiscences and “Letter(s) to a Young Surgeon.” As the author himself admits, he is “a writer intoxicated by words,” and his lush style is also sometimes self-conscious, most evidently in the pseudo-Beckettian “Fairy Tale,” about the relationship between two old men at a street-corner cafe.
Nonetheless, a passionate, unsentimental celebration of life’s messiness, whether on an operating table or at a dining table.Pub Date: March 1, 2001
ISBN: 0-312-26146-2
Page Count: 400
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2000
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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