Tense and spooky, with vivid characters that inspire strong feeling; a good new start built on a well-established foundation.
A looming invasion by extradimensional creatures demonstrates just how dangerous it is to forget the lessons of the past.
At the end of The Trials of Empire (2024), Lord Regent Konrad Vonvalt strongly encouraged the Empire of Sova to become a republic, stop fighting wars of conquest, and reject the study of most kinds of magick, especially that which involved contact with other planes of existence. Set 200 years later, this opener of a sequel series to the Empire of the Wolf books argues that getting one out of three is very, very bad. The Republic is an Empire again, a religious schism has led to a fierce war between Sova and the Principality of Casimir in their colonial territories, and worst of all, successfully adhering to the third stricture has left the Sovans without the magickal resources they will soon desperately need. Two monks of a heretical sect report that communication with the afterlife has ceased, portending an ominous event known as the Great Silence. To gain more information about this phenomenon, an ambassadorial mission sets out to negotiate with the mer-men, who still retain their magickal knowledge. At roughly the same time, a nobly born lieutenant with a purchased commission but no real stomach for battle is posted to the frontier, where he must contend with constant screaming from no visible source, bloody hallucinations, and gruesome murders with no obvious perpetrator. And a viciously classist nobleman with an enthusiasm for forbidden magicks investigates a mysterious plague that robs people of their minds, plotting to turn the calamity to his own selfish purposes. Naturally, these plotlines eventually converge. Authors who write follow-ups to trilogies that climax with an apocalypse-averting epic battle generally have difficulty in raising or resetting the stakes convincingly in those new installments. Swan actually succeeds in making his continuation seem organic, as the bittersweet ending to the first trilogy, added to his obvious acknowledgment both of real-life history’s cyclical nature and humanity’s collective tendency to forget the useful lessons of the past, make this reset seem plausible and not a mere retread of what came before. Plus, the eldritch abominations he conjures are genuinely frightening.
Tense and spooky, with vivid characters that inspire strong feeling; a good new start built on a well-established foundation.Pub Date: Feb. 4, 2025
ISBN: 9780316577007
Page Count: 464
Publisher: Orbit
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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