An intriguingly dark (and realistically depressing) deconstruction of a beloved mystery trope.
Murder mystery meets grimdark political fantasy in this first of a trilogy.
Sir Konrad Vonvolt is a Justice of the Imperial Magistratum; accompanied by his taskman (a kind of bodyguard, enforcer, and investigator), Dubine Bressinger, and his law clerk, 19-year-old Helena Sedanka, he travels the Sovan Empire, solving, prosecuting, and judging criminal acts. A few decades after a dreadful period of war and conquest, Vonvolt is confident in the strength of the empire, the power of the law, and his magical abilities (necromancy and the Emperor’s Voice, which compels others to speak truth and obey his commands) to enforce his judgments. But all of those are threatened by a rising tide of religious zealotry and a call for a Crusade, both of which act as a cover for a shift in who holds the power in the Empire. As Vonvolt attempts to solve the murder of a noblewoman, the conspiracy of corruption he uncovers threatens everything he knows and loves. Meanwhile, Helena, the novel’s first-person protagonist, struggles with an internal conflict involving her loyalty to Vonvolt, who transformed her from a street orphan into an educated woman with the potential to become a Justice herself; her boredom and frustration with many aspects of her work; and her nascent desire to settle down with a young guardsman she meets during the investigation. The initial setup of the story—that of a traveling investigator/prosecutor/judge—will feel familiar to readers of Robert van Gulik’s classic Judge Dee series and Peter Tremayne’s Sister Fidelma novels (these especially, as they include a certain amount of plot tension around orthodoxy vs. heresy and newly established religion vs. paganism). But aside from the fantasy setting, this novel differs in that it focuses far more intensely on how brutal realities of war and politics can overpower a well-established legal system and, in the face of that, erode the ethical and moral structures of that system’s representatives. We have hope that Judge Dee and Fidelma of Cashel and the laws they uphold will prevail despite the obstacles against them; but although Vonvolt, Helena, and Bressinger solve the case and several of the perpetrators pay the ultimate price, our heroes, too, pay a terrible price, and what occurs seems a bit more primitive and angry than dispassionate justice; certainly, that’s what Helena thinks.
An intriguingly dark (and realistically depressing) deconstruction of a beloved mystery trope.Pub Date: Feb. 22, 2022
ISBN: 978-0-316-36138-5
Page Count: 432
Publisher: Orbit
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
A unique concept that promises readers will find at least one, if not three, entwined but different narratives to enjoy.
When Vis is copied into two other realities, he must stop a god from repeatedly culling almost everyone back home.
Thousands of years ago, to prevent the Concurrence from enslaving everyone, the world was split into three near-identical copies: Res, Obiteum, and Luceum. To exist in all three worlds, to wield Will there, is to achieve synchronism. After the events in The Will of the Many (2023), which cost Vis his arm and the life of his friend, Vis achieves Synchronism. While Res-Vis must continue to play Hierarchy politics to find his friend’s killer, Obiteum-Vis finds a ruined world, where the dead are reanimated and used by Ka, the Concurrence, and the only other person to exist in synchronism. Meanwhile, Luceum-Vis is forced into a dispute between druids, their High Council, and their kings—with one king intent on killing him—and Vis has no idea why. On all worlds, Vis is as shrewd as ever, weighing his options, planning ahead, and doing what he must to survive. However, he, too, slowly diverges, doing things he swore he never would: cede his Will, use Will to control someone else, and reveal his true name. If at least one Vis cannot use his synchronism and power of Will to kill the Concurrence, no Vis will be safe, and another Cataclysm will cull those he loves on Res. Book Two of the Hierarchy series is a speculative fantasy that is at once Egyptian post-apocalyptic, Celtic medieval, and Roman dystopian, thanks to the multidimensional setting. Although the sprawling narrative at times overextends itself, Islington rewards patient readers with a compelling story, a cast of complex and diverse characters, and a glimpse into how far a good man can go before he’s lost. A symbol at the start of each chapter delineates which world and Vis it’s about. Readers should read The Will of the Many before attempting this volume, or they may be confused for the first several chapters and beyond.
A unique concept that promises readers will find at least one, if not three, entwined but different narratives to enjoy.Pub Date: Nov. 11, 2025
ISBN: 9781982141233
Page Count: 736
Publisher: Saga/Simon & Schuster
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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