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YITZI AND THE GIANT MENORAH

Not laugh-out-loud funny but a pleasant addition to Hanukkah collections.

The good folk of Chelm ponder the perfect thank you for a Hanukkah gift.

Just before Hanukkah, the mayor of Lublin gives the Chelmites a wonderful present: a large menorah to light on each of the eight nights of the festival. Much discussion goes into deciding upon the best way to acknowledge this gift. The first suggestion is to bring a bundle of potato latkes along with applesauce to the mayor. Alas, the bearer of this gift gets hungry and scarfs down all the latkes while his horse slurps up the applesauce. The second suggestion is to bring the mayor “two big barrelfuls of special Chelm snow.” Alas, the snow melts. The next suggestion is to present the mayor with a hand-carved dreidel. Alas, the Chelmite carver gets hopelessly lost and returns home—with the dreidel. Finally, the villagers, all white, listen to Yitzi, a small boy who has been trying to join in the deliberations. The gift, displayed on the last night of Hanukkah, is perfect and lights up the sky. Ungar’s tale draws upon the characteristic Chelm folklore about villagers who are good of heart but not good in the thinking department. His full-bleed watercolor monotone prints pulse with kinetic swirls of blue and gold, recalling Chagall.

Not laugh-out-loud funny but a pleasant addition to Hanukkah collections. (author’s note) (Picture book. 4-7)

Pub Date: Sept. 6, 2016

ISBN: 978-1-77049-812-9

Page Count: 32

Publisher: Tundra Books

Review Posted Online: Aug. 23, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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HANUKKAH PAJAMAKKAHS

An upbeat holiday tale marred by spotty logic.

An unusual Hanukkah miracle.

On the first night of Hanukkah, Ruthie’s parents give her a pair of holiday-themed “pajamakkahs.” Dad says that she can wear them to the family’s “Hanukkah Pajamakkah Party” on the eighth night. Ruthie wants to wear them “all eight nights.” Mom agrees but tells her to keep them “spotless.” Despite Ruthie’s precautions, she accrues myriad stains as she helps cook latkes, lights the menorah, does arts and crafts, and crashes into a pile of jelly doughnuts. But there are no spots here, says Ruthie—just “streaks,” “splotches,” “sparkles,” and “squishes.” On the final night of Hanukkah, the whole family and even the dog sport pajamakkahs of their own. Mom’s aghast at Ruthie’s pj’s. Dad says it’s a miracle they lasted eight nights, but he sees spots. “Dotted, not spotted,” Ruthie counters. Other, racially diverse, pajama-clad family members arrive. Ruthie twirls the dreidel and, inexplicably, causes a whirlwind, upending latkes, art supplies, and more. Are those spots on Ruthie’s pajamakkahs at last? Finally, Ruthie says, “a Hanukkah miracle!” This thinly plotted, only mildly amusing story is rife with logical holes. Even the youngest readers won’t believe Ruthie’s parents didn’t insist the badly soiled pj’s should get tossed in the washer sooner. It isn’t clear what’s so miraculous about Ruthie’s dirty jammies, and the child’s literalness wears thin. The cheerful, digitally created illustrations feature familiar Hanukkah symbols but are otherwise undistinguished. Ruthie and her immediate family are pale-skinned.

An upbeat holiday tale marred by spotty logic. (Picture book. 4-7)

Pub Date: Sept. 3, 2024

ISBN: 9781728284576

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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THANKFUL

Low-key and gentle; a book to be thankful for.

Spinelli lists many things for which people are thankful.

The pictures tell a pleasing counterpoint to this deceptively simple rhyme. It begins “The waitress is thankful for comfortable shoes. / The local reporter, for interesting news.” The pictures show a little girl playing waitress to her brother, who playacts the reporter. The news gets interesting when the girl trips over the (omnipresent) cat. As the poem continues, the Caucasian children and their parents embody all the different roles and occupations it mentions. The poet is thankful for rhyme and the artist, for light and color, although the girl dancer is not particularly pleased with her brother’s painterly rendition of her visual art. The cozy hotel for the traveler is a tent for the siblings in the backyard, and the grateful chef is their father in the kitchen. Even the pastor (the only character mentioned who is not a family member) is grateful, as he is presented with a posy from the girl, for “God’s loving word.” The line is squiggly and energetic, with pastel color and figures that float over white space or have whole rooms or gardens to roam in. Both children, grateful for morning stories, appear in a double-page spread surrounded by books and stuffed toys as their mother reads to them—an image that begs to be a poster.

Low-key and gentle; a book to be thankful for. (Picture book. 4-7)

Pub Date: Sept. 1, 2015

ISBN: 978-0-310-00088-4

Page Count: 32

Publisher: Zonderkidz

Review Posted Online: May 17, 2015

Kirkus Reviews Issue: June 15, 2015

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