The heroic and bloody story of the Roman gladiators is retold in Watkins's debut work, a comprehensive and vividly illustrated guide that will impart his obvious passion for the subject to budding historians. Despite their sophistication in government and the arts, Romans had a cruel and crude taste for violence, and Watkins traces the growth of the games from the first combat in 264 b.c., at the funeral of Junius Brutus, to the elaborate spectacles that regularly entranced thousands at the Colosseum. A job that was first thought fit only for prisoners of war, slaves, and criminals, it became an honored profession that, at the height of the empire, was more than half-full of distinguished male volunteers (women gladiators were officially banned in a.d. 200). Watkins meticulously reviews the training of gladiators and also takes readers through an upbeat gallery of the various types of gladiators who played the games. The black-and-white drawings capture the elegance of the Roman Colosseum, and the excitement of the sea battles that were held at terrific expense; the renderings of the gladiators are consistently dramatic. (map, bibliography, further reading, glossary, index) (Nonfiction. 10-15)
Pub Date: Sept. 1, 1997
ISBN: 0-395-82656-X
Page Count: 64
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1997
BOOK REVIEW
This slim collection of actual writings of American girls from colonial times to the mid-20th century contains some real gems that are sure to inspire readers to learn more about history. Their first insight will be that girls who lived long ago weren’t really that different from their modern counterparts. They played games and played jokes on one another, were interested in boys, knew that their teachers and parents didn’t understand them, were picked on by big brothers and sisters, and worried about what the future held for them. Some of the entries are funny, some serious, but all are informative and entertaining, augmented by the co- authors’ introductory notes for every entry and black-and-white photographs of the spirited and spunky girls who wrote such wonderful descriptions of their lives. (Nonfiction. 10-12)
Pub Date: Oct. 1, 1999
ISBN: 0-689-82083-6
Page Count: 103
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1999
While Josephine Poole and Angela Barrett’s Joan of Arc (1998) focused on Joan as a saint, this spirited but reverent telling emphasizes Joan as a hero. In the little village of DomrÇmy, Joan did not learn to read or write, but she listened to stories of the saints’ great deeds, worked with her parents, and aided the sick. When St. Michael the Archangel first appeared to her in a great light, she was 13; he told her she would save France, and the people supported her, outfitting her with horse and armor, and a white banner with the golden lilies that symbolized the French king. All the highlights of Joan’s story are elegantly recounted here: her recognition of the king hidden in the crowd, her victory at OrlÇans, Charles’s coronation, her capture, abandonment, trial, and death by burning at the stake. Rayevsky’s drypoint and etching illustrations use the muted colors and sepia backgrounds of old prints; the simple, sinuous line and stylized faces are particularly evocative. His visual trope of a flowerlike flame in the fireplace of Joan’s home is startlingly recreated in the final image of Joan at the stake. (Picture book/biography. 6-10)
Pub Date: Sept. 15, 1999
ISBN: 0-8234-1424-8
Page Count: 32
Publisher: Holiday House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 1999
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
