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THE INCANDESCENT THREADS

A thoughtful and affecting novel about generational trauma.

In the fifth of Zimler's novels about the Zarco family, mystical connections impart life-affirming meaning to Polish émigrés who lost most of their family in the Holocaust.

Told through multiple voices in various eras, the novel focuses on Benni and Shelly Zarco, two cousins separated by tragic circumstances. Shelly, who is 11 years older, makes it out of Nazi-controlled Warsaw first, escaping through the forest on his eventual flight to Montreal. A larger-than-life character who opens a downtown sporting goods shop there, he attempts to cope with trauma through his uncontrollable sexual urges for both women and men—including his close cousin. Smuggled out of Warsaw and raised in hiding in the town of Brzeziny by a gentile music teacher to whom he becomes devoted, young Benni is tracked down years later in Poland by Shelly. In New York, he becomes a successful tailor, loving father, and anti-war protester who struggles to see the difference between the Holocaust and the bombing of innocents in Vietnam. Forever haunted by the ultimate sacrifice his great-grandmother made in taking his place on a transport delivering Jews to a Treblinka-bound train, he turns to the cabala for answers. Tracing his Sephardic roots back to Portugal, he hears the thoughts of living and departed people in his head. So do other members of his extended family through their involvement in the arts and medicine. Dialogue is not Zimler's strong suit, and the long coda tracing the history of Jewish persecution back to Egypt is an unnecessary add-on. But the latest effort by the author of The Last Kabbalist of Lisbon (1998) succeeds with its strong emotion, memorable characters, and mosaiclike structure. Zimler's handling of the continuum of time is both moving and unsettling.

A thoughtful and affecting novel about generational trauma.

Pub Date: Nov. 7, 2022

ISBN: 978-1-913640-64-4

Page Count: 500

Publisher: Parthian Books

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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MY NAME IS EMILIA DEL VALLE

An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.

A free-spirited woman forges a career as a writer and journalist, risking scandal and war zones to follow her heart.

Allende’s latest opens in San Francisco in 1873, introducing Emilia at age 7, the illegitimate daughter of Molly Walsh, who, as a novice nun, was seduced and abandoned by wealthy Chilean Gonzalo Andrés del Valle. Molly goes on to a successful marriage, Emilia grows up with a loving stepfather, and at 17 she begins writing, then publishing, sensational dime novels under the pseudonym Brandon J. Price. By 23, she’s a journalist with a column in The Daily Examiner, though still forced to hide her gender behind her pen name. Rule breaking is in her nature, and while she accepts, for now, lower pay than men, she decides on a trip to New York to take a lover and learns to control her own contraception. Later, finally writing under her own name, she’s commissioned to go to Chile and cover its civil war from a human angle, accompanied by colleague and friend Eric Whelan, whose focus is the military aspect. Chilean revolutionary politics make for less sprightly reading, but Emilia’s individual encounters with members of high and low society lend atmosphere. These include the president, a great aunt, and eventually her father—now alone, regretful, and mortally ill. Although he disapproves of working women, the two share a “desire to see the world and experience everything intensely,” and when he offers to recognize Emilia as his legitimate child, she accepts. Now the story gathers pace, with Emilia—always and predictably the rebel—witnessing the horrors of battle, discovering that she and Eric are in love, and getting arrested. Not quite plausibly, she instigates a further sequence of impulsive moves before the story is permitted to conclude.

An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.

Pub Date: May 6, 2025

ISBN: 9780593975091

Page Count: 304

Publisher: Ballantine

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: yesterday

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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