A delightful whodunit with a remarkable hero and sublime Southern setting.
In this mystery, a private eye braves Kentucky’s hectic Derby week to investigate a murder at Churchill Downs.
Sleuth Jim Guthrie anticipates his business will take a hit with the Derby festivities starting. But he finds a client in Guatemalan immigrant Carlos Rojas, a Churchill Downs “hotwalker” who cools down horses with quiet strolls following a workout or race. At last year’s Derby, someone fatally bludgeoned Carlos’ father, Felipe, who worked as a groom. Since then, the police investigation has turned up nothing, so Jim looks into the homicide on his own. Sadly, he quickly realizes that questioning employees at the Churchill Downs backside is a largely fruitless endeavor. As many are immigrants like Carlos, they stay tight-lipped, understandably wary of recent United States laws. But there is a bevy of suspects that Jim can whittle down. Robbery may have been a motive, as Felipe, who won at poker on the night of his murder, had no money on him. He also got in a fight with a man claiming Felipe cheated at that poker game. In the course of his investigation, Jim forms an unexpected alliance with Wyatt Whitlow, who publishes The Late Mail, a tip newsletter. Whitlow’s exposés may help draw out the killer; he’s already incensed people with accusations of cheating via buzzers (devices that electrically shock horses during races) or performance-enhancing drugs. When Jim learns some of those accusations have merit, he connects Felipe’s death with other Churchill Downs crimes, which soon include a second murder.
Neumayer delivers an often lighthearted mystery. For example, scenes unfold at the backside like a soap opera; there’s the perpetually drunk groom, the horse trainer who scuffles with Whitlow over cheating allegations, and infidelity among married folks. Even Jim has a part in all this, having provoked a wealthy thoroughbred owner whose foolish son the private investigator humiliated (with good reason). The story likewise treats the detective genre playfully. In one of his articles, Whitlow mocks Jim for not donning a fedora or trench coat, and the PI later initiates a pursuit on a bicycle at moderate speed. The protagonist is good-natured and sympathetic; he takes Carlos’ case pro bono, despite a pile of bills, and suffers the authorities’ ire as they despise Jim, a former cop–turned–private eye. At the same time, he’s caught up in an effectively understated romance with veterinarian Dr. Freya Hall. She’s one of the cast’s myriad characters, many of whom make viable murder suspects and bolster the ongoing mystery. The author aptly develops each one against a vibrant Churchill Downs backdrop. Along with that comes abundant racing lingo, like the titular job, that the author subtly defines for novices without boring readers already familiar with it. Descriptions of Derby races, though disappointingly brief, are animated and memorable: “Right out of the gate, it was a mad scramble with five mounts no more than two lengths apart….All other sounds were quickly muffled by crowd noise. Manes and tails streamed behind like battle flags as the horses charged into the backstretch.”
A delightful whodunit with a remarkable hero and sublime Southern setting.Pub Date: Oct. 1, 2021
ISBN: 978-1-942856-87-0
Page Count: 274
Publisher: Literary Wanderlust
Review Posted Online: Aug. 26, 2021
Kirkus Reviews Issue: Oct. 15, 2021
Review Program: Kirkus Indie
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
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