A lively and intensely personal addition to the drugs-memoir genre.
Strassman chronicles his experiences with psychedelic drugs.
The author’s recounting of his “psychospiritual growth” follows his story from boyhood to medical school and beyond, detailing his slow introduction to the world of altered consciousness. He recalls the desire to reinforce his “masculine qua masculine credentials” among his peers, his first rum-and-Coke (“I gulp down the rest of the drink,” he writes. “It tastes better than beer, that’s for sure. I drink two more”), and his increasingly serious experiences with heavier drugs. Strassman breaks down these experiences into considerations of one’s “set” (“our mental set includes long-standing personality, habits, and coping style”), “setting” (“everything else, the ‘not-you’ part of the experience, the outside world”), and “cause,” the actual mechanism of the experience, whether drugs or more mundane practices like breath control. In a series of illustrated chapters, the author takes readers inside the world of psychedelic drug experimentation, addressing both the ecstatic aspects and the grubby, frightening sides (the book opens with a scene of Strassman fighting his way through a rough drug experience: “Panic stirs as I begin sinking into the bed. I jerk upright before I descend much further”). Strassman writes with an engaging directness—his prose deftly toggles between sarcastic observations and sincere confessions, bringing heartfelt intensity to his observations on love, heartbreak, therapy, and particularly the wild experiences he’s had under the influence of various psychedelic drugs. His descriptions are remarkably vivid: “I inhale deeply and my entire body expands just beyond its normal boundaries, feeling nearly weightless,” he writes. “The sweet dampness pours across my lips, past my teeth, over my tongue.” Readers who give the entire spectrum of psychedelic drugs a wide berth probably won’t find themselves tempted to indulge Strassman’s chronicle, but every reader will find this account fascinating.
A lively and intensely personal addition to the drugs-memoir genre.Pub Date: Dec. 10, 2024
ISBN: 9781644119792
Page Count: 320
Publisher: Park Street Press
Review Posted Online: Nov. 4, 2024
Review Program: Kirkus Indie
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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