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THE RIVER IS MY OCEAN

A heartfelt narrative steeped in love and tradition.

Connections to ancestors and cultural identity flow when a young Afro-Latine New Yorker bonds with her grandma.

The narrator, who’s brown-skinned with black hair braided in cornrows, loves spending time with brown-skinned Abuela, who used to live by the sea and misses it dearly. On Saturdays they walk down from Harlem toward Twelfth Avenue to the Hudson River. While the girl has never lived by the sea, she experiences a range of strong emotions when she’s near the river: quiet, curious, happy, and, sometimes, a mix of feelings. Abuela explains that they visit the Hudson to express gratitude to Yemaya, a Yoruba goddess of motherhood and the sea. Imagining Yemaya as a brown-skinned mermaid with a blue tail, the child thanks the river. As Abuela and the child walk home, the love between them, and their affection for the river, is palpable. An author’s note adds more information about Yemaya, who became associated with the ocean following the Middle Passage, and reminisces about her own Puerto Rican grandmother. Sweet, simple prose brimming with emotion celebrates cultural heritage and the connection between generations, while vivid, childlike illustrations capture the warmth of family moments. Both text and art home in on details of the bustling city, from the piragua cart the child passes to the honking of cars; it’s a potent reminder that young urbanites can forge bonds with nature, too.

A heartfelt narrative steeped in love and tradition. (Picture book. 4-8)

Pub Date: Aug. 27, 2024

ISBN: 9781665912570

Page Count: 32

Publisher: Denene Millner Books/Simon & Schuster

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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THE HUMBLE PIE

From the Food Group series

A flavorful call to action sure to spur young introverts.

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In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.

Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.

A flavorful call to action sure to spur young introverts. (Picture book. 4-8)

Pub Date: Nov. 4, 2025

ISBN: 9780063469730

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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