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THE MAJESTIC LEO MARBLE

A richly textured saga of a gay everyman moving from self-doubt to pride.

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A gay man searches for love in post-Stonewall New Orleans in Lee’s brooding romance.

In 1946, Leo Marble, still ensconced in his mother Louisa’s womb, mystically imbibes a gay sensibility straight from a performance of the Broadway musical Carousel. Growing up in Beau Pre, Mississippi, Leo develops a fine singing voice just in time to star in a high school production of Carousel, which makes the girls swoon over him; he dutifully goes steady with one as “camouflage” while secretly pining for a football player. College brings Leo’s first requited—but chaste—relationship with a man. After graduating, Leo moves to New Orleans to write for the Times-Picayune and dives into the city’s thriving gay bar and disco scene. He also joins the New Orleans Gay Resources Coalition, where he mans the volunteer help line and organizes a march to protest the anti-gay rights campaign of entertainer and orange juice spokeswoman Anita Bryant. Heading into the 1980s, lonely Leo hunkers down as the AIDS epidemic rages but finally finds love with handsome TV weatherman Jay Wilkinson. Lee’s portrait of Leo’s life is subdued but well observed (the author adds a touch of magical realism) as the narrative traces the gay community’s modern success story. Apart from one incident in which he is tackled by a heckler at a demonstration, Leo personally faces little overt homophobia and seems to easily surmount the crumbling barriers to inclusion. (A series of coming-out scenes with family and co-workers all go well; even elderly Granny Marble gushes with acceptance.) The novel’s drama comes mainly from Leo’s anxieties over a future that seems uncertain and loveless, which Lee depicts in plangent, evocative prose (“He could turn on the gas from one of the burners, lie down and just go to sleep. He hadn’t figured out what would happen after that”). He’s not all that majestic, but readers will root for Leo as he struggles to shake off his isolation and embrace life.

A richly textured saga of a gay everyman moving from self-doubt to pride.

Pub Date: Aug. 20, 2024

ISBN: 9781956440935

Page Count: 268

Publisher: Madville Publishing LLC

Review Posted Online: June 12, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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