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THE BASILISK’S LAIR

NATHANIEL FLUDD, BEASTOLOGIST, BOOK 2

When his Aunt Phil flies to the western Sudan to recapture an escaped basilisk, she takes Nathaniel Fludd along, reassuring him that he is only to “watch and learn.” Instead, he and his gremlin friend, Greasle, play important roles. This satisfying middle-grade adventure features a hesitant, unskilled hero, a miniature sidekick straight from Where the Wild Things Are and an exotic setting in colonial British West Africa in 1928. The basilisk is appropriately scary, and straightforward storytelling leads to an exciting climax. Readers won’t get and don’t need the entire back story from Flight of the Phoenix (2009), the first in the Nathaniel Fludd, Beastologist series, but those who have read it will surely enjoy the return of the supposed orphan and his formidable aunt. Murphy has provided a full-page pen-and-ink illustration as well as several smaller sketches for almost every chapter, and Nathaniel contributes drawings, too. Sharp-eyed readers will realize that the chapter numbers are counted in animal bones. This story is complete in itself, but the ending promises more adventure to come. (Guide to People, Places, and Things) (Adventure. 7-10)

Pub Date: June 1, 2010

ISBN: 978-0-547-23867-8

Page Count: 160

Publisher: Houghton Mifflin

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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DREAM JOURNEY

Eduar (Jooka Saves the Day, 1997, etc.) composes here a classic dreamtime walkabout, a wonder quest, that starts when Anatole the bactrian camel begins to read from his “ancient book” and the boy Jules drifts off to sleep between the camel’s humps. Anatole is on the move, swimming the Southern Sea, surfing through crashing breakers, getting lost in the jungle outside Quito, scaling peaks, outrunning lightning. All the while, Jules snoozes peacefully away. Eduar catches the action in rhyme, one sentence to a page, with Anatole’s dashing feats on the left, and Jules’s torpor noted on the right: “Anatole rides bravely along a wire from the trees./Jules is kissed by an orchid-scented breeze.” The artwork is up to the energy and the exoticism of the tale, with great cymbal-crashes of vivid color conjuring a thunderstorm, a foaming sea, a busy street. Despite such charged images, the book works as a lullaby: Jules may bounce around the world, but still he slumbers on. (Picture book. 2-5)

Pub Date: Sept. 1, 1999

ISBN: 0-531-30202-4

Page Count: 32

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1999

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THE WATERFALL

London (Ice Bear and Little Fox, 1998, etc.) describes a family’s trip into the mountains to backpack up a creek. There’s strenuous hiking through chest-deep cold water, worry-free skinny-dipping on a sunny day, a cookout under the stars, a dangerous encounter with a mountain lion, and a final feat—climbing a waterfall. Kastner’s brilliantly colored oil paintings fill every page, pulling readers into the trip to experience nature’s wonders. Together, the family does the very thing “that cannot be done”—they climb the side of a steep waterfall to its peak, rejoicing in a polished piece of driftwood to take home as a souvenir. A poetic appreciation of the beauty of nature and respect for its awesome force. (Picture book. 3-8)

Pub Date: March 1, 1999

ISBN: 0-670-87617-8

Page Count: 32

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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