by R.L. Stine ; illustrated by Marc Brown ‧ RELEASE DATE: Aug. 25, 2015
Readers are sure to visit this shop again and again for its fantastical creatures and its slightly sinister tone.
Two proven masters combine talents to produce a deliciously creepy mock-horror picture book.
Stine, of Goosebumps fame, and Brown, of the popular Arthur series, challenge readers before the title page. “Pssssst…HEY, YOU! Are you afraid of MONSTERS? Do they make you SHIVER and SHAKE and shut your eyes really tight at night? / If you think you’re brave enough, then come with me.” A boy and a girl look in the window of the Little Shop of Monsters. The merchandise looks like an innocuous, ragtag bunch of rather friendly creatures, but the intrusive narrator delivers ominous warnings: “I hope they don’t break the glass, jump out, and EAT you.” Within the store, the girl looks to be the brave one, while the boy seems alarmed or at least wary. Caged monsters with arms outstretched and mouths in smiles (or perhaps evil grins) greet them. Their tour through the shop finds them face to face with a series of goofy monsters with silly, unthreatening names like Tina-Not-Ticklish. Brown uses colored pencils, watercolor, spray paint, and gouache in double-page spreads to show hulking, sometimes wild, but never terrifying monsters, while the text tries to convince readers that these are a fierce and threatening group. After all, “when you come to the Little Shop of Monsters, you don’t CHOOSE a monster… / A MONSTER CHOOSES YOU!”
Readers are sure to visit this shop again and again for its fantastical creatures and its slightly sinister tone. (Picture book. 4-8)Pub Date: Aug. 25, 2015
ISBN: 978-0-316-36983-1
Page Count: 40
Publisher: Little, Brown
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 23, 2022
Chilling in the best ways.
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When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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