In a perfectly silly and pointlessly tastless sequel to Charlie and the Chocolate Factory, Mr. Willie Wonka's glass elevator goes into orbit carrying Charlie, his parents, his grandparents, and the bed that three of the grandparents haven't left for 20 years. They stop at a new U.S. Space Hotel causing panic back at the White House, where an illiterate President who tells knock-knock jokes thinks they are Martians and a broad-typed Chief of the Army wants to blow them up "crash bang wallop bang-bang-bang-bang-bang." But when a horde of greenish, shapeless creatures called "vermicious knids" starts emerging from the space hotel's elevators, the humans hop back to earth in their knid-proof glass one, towing a crew of terrified astronauts along. In the reaches of space fiction where anything goes, Mr. Dahl's inventions are old hat, and about all that ensues back at the factory is the grandparents' excessive rejuvenation (one of them is even "minused"), overcompensating aging, and Ultimate return to the status quo ante by swallowing alternate doses of Vita-Wonk and Wonka-Vite. They are finally lured from their beds by an invitation from the White House (a reward for rescuing the astronauts) and even Charlie himself exits dancing with glee, never questioning the privilege involved in visiting those previously caricatured idiots. With humor that depends on gratuitous references to the President's pottie or the results of a very strong laxative, with the Oompa-Loompas still fetching and carrying, this has all the faults that disturbed grown-ups and none of the inspired outrageousness that attracted children to its predecessor.
Pub Date: Sept. 1, 1972
ISBN: 0375815252
Page Count: 176
Publisher: Knopf
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: Sept. 1, 1972
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
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