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THE PARADOX HOTEL

Funny, thrilling, poignant, and profound.

Timey-wimey mysteries vex a singular hotel’s damaged in-house detective.

In 2072, those with hundreds of thousands of dollars to spare can use the federally owned Einstein Intercentury Timeport to see Shakespeare stage Hamlet, watch the Battle of Gettysburg, or witness countless other bygone events. A tram ride away from Einstein is the Paradox Hotel, where guests can obtain costuming, earpiece translators, and era-specific vaccines. Individual “flights” are relatively safe, but frequent travel can be risky; just ask former time cop January Cole, who spent her early career riding the timestream to prevent tourists from altering history and is now Unstuck, a condition that causes her perception to—temporarily and without warning—jump into her past or future. January left the field years ago to police the Paradox, but though the move has done little to slow her ailment’s progression, she refuses to retire, as her slips often provide glimpses of her late girlfriend, Mena, who used to work on-site. The U.S. government is hemorrhaging money, so a senator and four trillionaires are holding a summit at the Paradox to discuss Einstein’s privatization. The security logistics alone are a nightmare, but factor in strange time fluctuations and a phantom corpse in Room 526 and you have the recipe for a disaster only January can thwart—provided her mind stays put. Inventive action, breakneck pacing, and a delightfully acerbic yet achingly vulnerable first-person-present narration distinguish this speculative noir stunner, which meditates on grief while exploring issues of inequity and determinism. The worldbuilding can feel hand-wavy, and the supporting cast is so large as to occasionally confuse, but on balance, Hart delivers a riveting read likely to win him scores of new fans.

Funny, thrilling, poignant, and profound.

Pub Date: Feb. 22, 2022

ISBN: 978-1-9848-2064-8

Page Count: 336

Publisher: Ballantine

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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TRESS OF THE EMERALD SEA

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

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A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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