An immersive and affecting story of injustice and an exemplification of the unbreakable human spirit.
Two victims of abuse in mid-20th-century America fight for justice and survival.
In the summer of 1948, 22-year-old Billy Dalton is driving home through Kane County, North Carolina, when he comes across two cars blocking the road. One of these drives off as the other explodes, and Billy helps a young woman and her toddler daughter escape from the burning vehicle. Billy himself is badly burned and wakes in the hospital to find that nobody believes his story; there is no sign of the woman or her child or evidence of any cars other than his own. Racism is endemic in Kane County, as Billy, a White man, starts to realize when he is charged with drunken driving and placed in a jail, where he expresses concern over a Black inmate’s eye injury. The prisoner explains, “The jailer’s the one who gave it to me. They come get us and then take us out and beat us up anytime they want. No reason. Just because they can. They mostly leave white folks alone.” Billy is imprisoned without proper medical attention. His wounds fester, and he emerges badly disfigured to begin a new, unhappy life. The woman, it transpires, does exist. She is 22-year-old Lacey Evers, the unacknowledged daughter (through rape) of Judge Harkins, the corrupt presiding jurist of Kane County. United years later, can she and Billy find the justice they were denied? The narrative is simple but effective, buoyed by unforced dialogue that allows the story’s emotional impact to emerge naturally. Though Kane County is fictitious, the institutional corruption and power imbalance feel all too real. Unfortunately, Lubitz’s portrayal of the abominable treatment of Black people in America, a strong thematic thread throughout the novel, doesn’t quite ring true—not because such mistreatment didn’t exist but because the racial slurs are excessively softened, and Lubitz introduces a White character who helpfully calls it out. That said, Lacey and Billy are vivid representatives of a historical period that was all too frequently characterized by gross injustice. Their respective plights will invest readers in their story, and their endurance and eventual flourishing cannot help but inspire.
An immersive and affecting story of injustice and an exemplification of the unbreakable human spirit.Pub Date: Jan. 28, 2023
ISBN: 9798372097766
Page Count: 347
Publisher: Self
Review Posted Online: Feb. 3, 2023
Review Program: Kirkus Indie
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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