A bloody, blistering novel of war and sacrifice set in a time of actual monsters.
An augmented soldier fights against apocalyptic nightmares in a brutal war to save humanity.
Debut novelist Ashcroft unleashes a witch’s brew of macabre, Lovecraft-ian imagery in this strange horror novel that couches a heavy emotional arc within its video game–like setting. Our narrator is former LAPD officer–turned–cybernetic survivor Theo Adams circa 2051, in the last days of the human race. Seven years earlier a “Hollow War” decimated Earth’s population with rail guns and viruses before unleashing the terrifying creatures of the Harvest, known to survivors as the Scourge: “The fiends, bruisers, tender-monkeys, huddlers, snatch rats, cabritas. Rape, slaughter, feast. You don’t need to be reminded in detail. You got organized. You got weapons and established perimeters.” Now some 50,000 scarred survivors remain in the Santa Monica Collective, a ragtag, militarized band of soldiers barely winning skirmishes with the monsters they face. On one side of this conflict there is the Megarothke, the unstoppable, spiderlike killing machine who leads the Scourge, aided by a human quisling called The Recluse. On the other, the Orbital, a desperate but well-armed group of survivors who have fled to orbit but yearn to return to Earth. In flashbacks, Theo takes us back 10 years to his troubled, soon-to-end marriage, whose only saving grace is his daughter, Amelie. The situation is made worse when his ex becomes entangled with a cult called the Trans-Sentience movement, where a splinter faction wants to use a kind of sorcery to summon a powerful demon called the Lightbringer. It’s some heavy mythology-building but Ashcroft’s skillful blend of noir vocabulary and cyberpunk aesthetics work to its advantage. Between its robotic doppelgängers, mutated monsters, and actual ray guns, the book manages to take a hard look at what it means to be human in an age when humanity barely remains.
A bloody, blistering novel of war and sacrifice set in a time of actual monsters.Pub Date: Feb. 27, 2018
ISBN: 978-1-946487-06-3
Page Count: 250
Publisher: Cinestate
Review Posted Online: Dec. 24, 2017
Kirkus Reviews Issue: Jan. 15, 2018
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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