More shifting allegiances, moral dilemmas and characters capable of change than Virgil and Everett’s fans may be used to....
Now that they’ve cleaned up Appaloosa, Virgil Cole and Everett Hitch have to contend with its new police chief in their fourth and presumably final adventure.
All white men are blue-eyed devils, but Amos Callico is more infernal than most. No sooner has he settled in as Appaloosa’s new chief of police, his authority bolstered by a retinue of 12 officers, than he begins to extort protection money from Lamar Speck, who owns the Boston House saloon, and Buford Posner, of the Golden Palace. Callico, who has his eyes set on the governor’s mansion and then on the White House, wastes no time in attempting to neuter the opposition by offering jobs to Virgil and Everett, now living a frontier version of domestic life with Allie French, the lover Virgil rescued in Brimstone (2009), and the traumatized former Indian captive Laurel, who won’t speak to anyone but Virgil. Naturally, the two gunslingers turn Callico down and promptly sign on as bouncers at the Boston House. The stage is clearly set for a climactic confrontation between the corrupt police chief and his minions and the unsullied heroes. Before that can happen, though, Virgil’s half-breed friend Pony Flores comes to town with his brother Kha-to-nay in tow. Pony has helped Kha-to-nay escape from prison, and trouble is sure to follow the pair. Despite the arrival of Pinkerton agent Dell Garrison, however, that trouble doesn’t take the form most readers will expect. Instead, Kha-ton-nay will ally himself with a party of wily Apache braves, and retired Confederate General Horatio Laird, whose no-account son Nicholas Laird killed in the early going, and his hired gunman Chauncey Teagarden will assume central roles. Rest assured that Virgil will get more opportunities to live up to his assertion, “Killing don’t bother me…Long as I follow the rules.”
More shifting allegiances, moral dilemmas and characters capable of change than Virgil and Everett’s fans may be used to. It’s a shame that this youngest of the late Parker’s franchises has to end so soon.Pub Date: May 4, 2010
ISBN: 978-0-399-15648-9
Page Count: 288
Publisher: Putnam
Review Posted Online: Jan. 9, 2011
Kirkus Reviews Issue: April 15, 2010
A sprightly new cozy series for Ross (Steamed Open, 2018, etc.) with plenty of entertaining characters, hidden clues, and a...
A Massachusetts retiree with a knack for discovering secrets lands a new gig.
Jane Darrowfield, who has a reputation among her friends as a problem-solver, is offered a job at Walden Spring, an adult community in Concord. But director Paul Peavey is evasive about what exactly the job involves. When Jane, at his suggestion, moves into an apartment pretending to be a potential long-term resident, she sees that Walden Spring has rival cliques, just like high school. Because she’s already met Evangeline Murray, a friend of a friend, Jane lunches with the artists. The leather-jacketed bad boys are led by Mike Witkowski and the popular preppies by Bill Finnerty, whose wife is in the Alzheimer’s unit. At the same time, Jane, who’s vetting men from a dating site for a friend, finds herself drawn to Harry Welch and agreeing to another date after years of wariness ever since her husband took off with another woman and most of their money, leaving her to climb back to financial security on her own. Jane soon discovers disturbing undercurrents at beautiful Walden Spring, especially between Bill and Mike. When Bill’s found beaten to death on the golf course, Jane’s ready to go home. Since Peavey and the police prefer that she stay, she decides to do a little snooping. She’s especially interested in the identity of a man she’s seen walking across the community’s golf course late at night. The case takes an unexpected turn with the discovery that Bill and Mary Finnerty were killed in a car crash 12 years ago. So who are the residents passing as Bill and Mary?
A sprightly new cozy series for Ross (Steamed Open, 2018, etc.) with plenty of entertaining characters, hidden clues, and a touch of romance.Pub Date: June 25, 2019
ISBN: 978-1-4967-1994-2
Page Count: 272
Publisher: Kensington
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
Khong’s pithy observations and cynical humor round out a moving story that sparks empathy where you’d least expect it.
Former Lucky Peach executive editor Khong (All About Eggs: Everything We Know About the World’s Most Important Food, 2017) whisks up a heartfelt family dramedy in a debut novel that ruminates on love, loss, and memory.
Last June, Ruth Young was engaged and packing to move to a spacious apartment in Bernal Heights, San Francisco, when her fiance, Joel, broke the news that he wasn’t moving with her. Now 30, single, and still raw from the jarring breakup (and the gutting knowledge that Joel has a new, undoubtedly cooler, girlfriend), Ruth returns to her family’s home for the holidays. But instead of escaping her past, Ruth must face another obstacle upon arriving in Los Angeles—her father, esteemed history professor Howard Young, has Alzheimer’s disease, and it’s rapidly worsening. To alleviate her mother’s stress, Ruth quits her job in San Francisco—reluctantly joining “the unmarried and careerless boat”—and moves back in with her parents to care for her irascible father, who, notwithstanding his failing memory and bizarre behaviors (such as carrying a urinal cake in his pocket), insists he’s fine. Written in chronological vignettes spanning a year, Ruth’s vivid narration reads much like an intimate diary. In an effort to stave off her boredom at home, Ruth sleuths around her father’s unkempt office, digs for evidence of an extramarital affair, and even schemes with Howard’s former students to keep him under the illusion that he’s still actively teaching. As Howard’s memories fade, Ruth’s rise to the surface. Recollections of her father’s drinking problem and recent infidelity send her spiraling among resentment, disgust, and (unwittingly) compassion toward her parents. Ultimately, it’s Howard’s flaws that move Ruth to examine her own. Ruth and Howard are a hilarious father-daughter duo, at turns destructive and endearing, and entries from a notebook that Howard kept during Ruth’s childhood serve as an enriching back story to their deep bond.
Khong’s pithy observations and cynical humor round out a moving story that sparks empathy where you’d least expect it.Pub Date: July 11, 2017
ISBN: 978-1-250-10916-3
Page Count: 208
Publisher: Henry Holt
Review Posted Online: May 1, 2017
Kirkus Reviews Issue: May 15, 2017
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