No surprises, but provides some excellent evidence for anyone who wants to argue that Spenser’s creator has been writing...
Freelance gunslingers Virgil Cole and Everett Hitch (Resolution, 2008, etc.) ride into yet another town and treat it to another baptism of fire.
Though he hasn’t seen Allie French for a year, Virgil has never given up hope of finding her again. Riding south with sidekick and amanuensis Everett, he catches up with her in Placido, Texas. Virgil and Everett spirit her off in jig time, but the magic doesn’t return so easily. Everett can spot the problem with Virgil right off: “With Allie he was different. I didn’t like different.” Clearly it’ll take something special to rekindle the flame—something like the job Virgil and Everett are offered as deputy sheriffs in nearby Brimstone, “an actual town” that’s more than just a collection of gamblers, drunks and whores. Val Verde County sheriff Dave Morrissey is concerned by the growing tension between Pike, a gang leader who’s opened a perfectly law-abiding saloon, and Brother Percival, a firebrand revivalist determined to close down every watering hole in Brimstone. With each saloon Brother Percival shutters, his mission sets him more clearly on a collision course with Pike. The episodic plot prescribes some preliminary skirmishes: the kidnapping of a slain rancher’s wife and daughter by a Comanche brave with a grudge against Pike; their rescue by Virgil and Everett and a half-breed tracker they’ve hooked up with; and their traumatic difficulties readjusting to life in Brimstone. But there’s never any doubt that all this is heading to a climactic showdown between Pike and Brother Percival, followed by a post-climactic showdown between Virgil and his friends and the sole survivor, according to the iron rule that governed Virgil’s first two adventures: “Let the vermin fight to the death and then pick off the winner.”
No surprises, but provides some excellent evidence for anyone who wants to argue that Spenser’s creator has been writing nothing but westerns for 35 years.Pub Date: May 5, 2009
ISBN: 978-0-399-15571-0
Page Count: 304
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2009
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
This is the sort of book that stirs one so deeply that it is almost impossible to attempt to convey the impression it leaves. It is the story of today's Exodus, of America's great trek, as the hordes of dispossessed tenant farmers from the dust bowl turn their hopes to the promised land of California's fertile valleys. The story of one family, with the "hangers-on" that the great heart of extreme poverty sometimes collects, but in that story is symbolized the saga of a movement in which society is before the bar. What an indictment of a system — what an indictment of want and poverty in the land of plenty! There is flash after flash of unforgettable pictures, sharply etched with that restraint and power of pen that singles Steinbeck out from all his contemporaries. There is anger here, but it is a deep and disciplined passion, of a man who speaks out of the mind and heart of his knowledge of a people. One feels in reading that so they must think and feel and speak and live. It is an unresolved picture, a record of history still in the making. Not a book for casual reading. Not a book for unregenerate conservative. But a book for everyone whose social conscience is astir — or who is willing to face facts about a segment of American life which is and which must be recognized. Steinbeck is coming into his own. A new and full length novel from his pen is news. Publishers backing with advertising, promotion aids, posters, etc. Sure to be one of the big books of the Spring. First edition limited to half of advance as of March 1st. One half of dealer's orders to be filled with firsts.
Pub Date: April 14, 1939
ISBN: 0143039431
Page Count: 532
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: April 1, 1939
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