In his second caper (Murder on Olympus, 2013) Plato plays Bob Hope to Felix's Bing Crosby, keeping the plot rattling...
Olympian shamus Plato Jones faces his toughest assignment yet: breaking out of prison.
Puckish Plato, who narrates in an arch first-person, begins his descent into trouble when he witnesses the robbery of the Bank of New Olympia by Felix King and his gang. Though Felix and two accomplices are arrested, his dad, Louis, escapes with the loot via a jet pack and a force field. The next day, Zeus hatches a devilish plan over the complaints of his son Hermes, who wants to handle it himself. Plato will be arrested and sent to prison, where he'll befriend Felix and learn all he can about his gang. Getting in involves a public arrest, a trial and a sentence of life without parole. Plato befriends Felix with few obstacles. But the Tartarus Maximum Security Penitentiary is the most dangerous place in the universe, and once Felix and Plato become besties, the sleuth turns his attention to escape. There's a shower-room brawl, led by the surly Reave and broken up by guards, and a confrontation with a snarling pack of Cerberuses, which leads them to bombastic Cronus, king of the Titans and father of Zeus. Achilles buttonholes the duo and convinces Felix to show him some magic. Cronus' return creates enough confusion for the escape midway through this twisty adventure, which includes a run-in with Daedalus, two-fisted new companion Helena, and a suitably miraculous finale.
In his second caper (Murder on Olympus, 2013) Plato plays Bob Hope to Felix's Bing Crosby, keeping the plot rattling blissfully along with cartoonish action and wisecracks aplenty.Pub Date: Nov. 6, 2014
ISBN: 978-1-939452-48-1
Page Count: 372
Publisher: Dragonfairy Press
Review Posted Online: Oct. 8, 2014
Kirkus Reviews Issue: Oct. 15, 2014
BOOK REVIEW
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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