The myth of Pandora is told in compelling free verse with striking, colored-pencil and watercolor illustrations. Burleigh sticks fairly close to his sources, choosing the jar, rather than the box, as the thing-that-must-not-be-opened. It’s made clear that Zeus seeks to punish humankind for receiving fire from Prometheus; it is Prometheus’ brother who receives Pandora (her name means all-gifted) as his wife. She’s beautiful and has many skills, but is obsessed by the jar that she must not open. Why, she reasons, would the goddess Athena give her “the power to think and wonder—And order her not to use it?” She opens the jar, and all manner of evil escapes. Only hope is left behind. Colón uses his colors lightly to show the texture of the paper, creating wonderful, almost iridescent effects: rich purples, golds, blues, and greens. Very different in tone and effect from the lyrical Dora’s Box (1998), this is darker but still accessible, though it may have trouble finding its audience because of its mature treatment. (cast of characters) (Picture book/nonfiction. 6-9)
Pub Date: May 1, 2001
ISBN: 0-15-202178-7
Page Count: 32
Publisher: Silver Whistle/Harcourt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2002
Thanks to parrot-toting Braidbeard and his gloriously disreputable crew, a lad discovers the ups and downs of a pirate’s life in this rousing mini-epic. His mom and dad busy on another part of the beach, young Jeremy happily joins a band of hook-handed, eye-patched, snaggle-toothed pirates aboard their ship, learning pirate table manners (none), enjoying a game of nautical soccer until a shark eats the ball, then happily retiring without having to brush teeth, or even don pajamas. But then Jeremy learns that pirates don’t get tucked in, or get bedtime stories, and as for good night kisses—Avast! Worse yet, no one offers comfort when a storm hits. So, giving over the pirate’s life, Jeremy shows the crew where to bury its treasure (his backyard), and bids them goodbye. Shannon outfits Braidbeard’s leering, pop-eyed lot in ragged but colorful pirate dress, and gives his young ruffian-in-training a belt and bandanna to match. This isn’t likely to turn pirate wannabees into landlubbers, but it will inspire a chorus of yo-ho-hos. (Picture book. 6-8)
Pub Date: Sept. 1, 2003
ISBN: 0-15-201848-4
Page Count: 44
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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