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CAMELOT'S COURT

INSIDE THE KENNEDY WHITE HOUSE

More than a little admiring of Arthur, but there’s cleareyed criticism of his Round Table.

The author of An Unfinished Life: John F. Kennedy, 1917–1963 (2003) returns with descriptions and assessments of the fallen president’s principal advisers.

Dallek (The Lost Peace: Leadership in a Time of Horror and Hope, 1945–1953, 2010, etc.) begins with some quick chapters about JFK’s pre-presidential life before commencing his voyage. The president’s brother Robert, the attorney general, emerges as the key adviser, reappearing continually in the narrative, especially during the most crucial issues—the missile crisis of 1962 and the civil rights agenda (which, as Dallek notes, took a back seat to foreign affairs). The author introduces each adviser with a description of his (yes, all were men) background and notes that the new president put into his Cabinet—and into his non-Cabinet advisory groups—Republicans and others who annoyed the left wing of his own party. The author shows us the roles that each played and the reputation that he had among the others and with the president. Arthur Schlesinger, for example, was more at the fringes than popular understanding would have it; the Joint Chiefs of Staff were continually at war with the White House on potential actions in Cuba, Laos, Vietnam and elsewhere. (Unsurprisingly, they favored military action.) Deputy National Security Adviser Walt Rostow emerges as the most hawkish of the bunch, and Secretary of State Dean Rusk, the least decisive and/or consistent. Dallek examines each of JFK’s crises in detail, focusing on what the advisers were (or were not) telling him, and he notes several times that their failure to reach consensus was a serious problem. The author spares no one. He chides JFK for his womanizing, LBJ for his ego and McNamara for his credulousness. Here is perhaps the only account of the 1963 March on Washington that does not mention King’s speech.

More than a little admiring of Arthur, but there’s cleareyed criticism of his Round Table.

Pub Date: Oct. 8, 2013

ISBN: 978-0-06-206584-1

Page Count: 512

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 11, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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