Vibrant backdrops and stellar characters animate a worthwhile SF romp.
An Earth-born Martian teen travels through space and time to save his home planet in DeLaurentis’ debut YA novel.
Fifteen-year-old Thomas Knight lives on the Mars Station, a strictly controlled interior city on the Red Planet in the late 21st century. He learns all he can about Earth, the “origin planet,” which superfloods rendered uninhabitable a couple of decades earlier. His Earth obsession could lead to trouble—Martian inhabitants are confined to the Station, and attempts at escape are dealt with harshly. One day, Thomas meets a stranger who makes the startling claim that Thomas is not like his genetically engineered peers—he was the very last child born on Earth (“With a real mother and father? How could that possibly be?”). His birth father, whom he’s never known, has worked with others to implement a plan for Thomas to salvage their devastated world. It entails time-traveling into both the past and the future, but Thomas doesn’t exactly land where he was meant to. Arriving in 2023 Marin County, California, he meets a fellow teenager, Elly McAllister, who can tell him even more about the planet that has long enchanted him. DeLaurentis depicts a visually rich SF setting including the Station’s interior of overlapping circles and the children’s diet of geometric foodstuffs (like freeze-dried triangular tomatoes). The scenes set on Earth are equally engaging as Thomas spots so many peculiar things that Elly must explain to him, from a dartboard to a roller coaster. The relatively small cast shines, including Thomas, who easily adapts to changing circumstances; the ever-helpful and easygoing Elly; and Eno, Thomas’ smaller “counterpart” (the boys room together on the Station), who’s brilliant and loyal. Wherever he goes, the young hero faces obstacles, such as Mars’ sub-zero temperatures, megalodons on Earth, and bullies that, sadly, exist on both worlds. While this book delivers a satisfying, well-rounded adventure, it’s also the first installment in a proposed trilogy—Thomas’ interplanetary, time-hopping journey is just starting.
Vibrant backdrops and stellar characters animate a worthwhile SF romp.Pub Date: April 9, 2024
ISBN: 9781644283998
Page Count: 280
Publisher: Rare Bird Books
Review Posted Online: May 2, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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