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THE SILVERBERG BUSINESS

A weird but oddly convincing creature feature.

In 1888, a Jewish PI from Chicago who goes by the name Shannon is hired to find Nathan Silverberg, a missing developer behind the creation of a Texas colony for Romanian Jewish refugees.

Shannon quickly discovers that Silverberg was swindled out of his money and murdered, but tracking down the killers, including a gambler with white hair and red eyes named Stephens, proves an epic undertaking. With his special onyx ring, Stephens sends the detective off into a bizarro alternate world where people with skull heads and "tonguelets" flit around and play epic games of poker. Shannon, who gets hit in the head a lot, has difficulty enough separating dreams from reality, but he's hardly prepared for the scenarios that unfold in this dimension. They include his seduction by a scantily clad skullhead called “the saloon girl.” Ultimately, his success at poker will determine not only his own survival, but also that of people in the "actual" world faced with sandstorms "powerful enough to sink a civilization." As in real life, the book's setting of Indianola was twice destroyed by hurricanes in the late 1800s. Other aspects of the book are drawn from Texas history by Wexler, a relaxed surrealist who is less interested in big, scary effects than subtle underpinnings and intellectual concepts—"determinism in modern thought," for example. Ultimately, the Jewish component is underdeveloped and Wexler's "inside" narrative game can bog down for stretches. But any book with a guitar-playing sheriff, an ex-con named Slack-Face Jake, and a giant in a bowler hat is worth a spin.

A weird but oddly convincing creature feature.

Pub Date: Aug. 23, 2022

ISBN: 978-1-61873-201-9

Page Count: 320

Publisher: Small Beer Press

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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WOMAN DOWN

A dark and twisty look at just how far one woman is willing to go to find inspiration.

A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.

Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”

A dark and twisty look at just how far one woman is willing to go to find inspiration.

Pub Date: Jan. 13, 2026

ISBN: 9781662539374

Page Count: -

Publisher: Montlake

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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