A richly detailed portrait of Frost in his own words.
The latest installment of the poet’s letters, in which he becomes a celebrity.
Meticulously edited by scholars Sheehy, Richardson, Hass, and Atmore, the third of a projected five volumes of letters of Robert Frost (1874-1963) covers the poet’s life from 1929-1936, when his reputation soared. The 602 letters and telegrams, 70% previously uncollected, afford a comprehensive view of Frost’s family, work, and friendships as well as opinions on human nature, academia, and art. A literary star, Frost fulfilled myriad obligations: teaching, lecturing, serving as poet-in-residence, and giving a prodigious number of readings. In 1931, he was awarded a Pulitzer Prize for Collected Poems; many other honors followed. When his friend Louis Untermeyer failed to win a Pulitzer in 1936, Frost commiserated. “I have suffered nervous collapse in my time from the strain of conscious competition and learned from it how to pretend at least that I am below or above it for the rest of my life,” he wrote. “And I’m a good stout pretender when I set out to be.” Along with professional success, though, came personal misfortune. In 1931, his beloved daughter Marjorie and daughter-in-law Lillian were both in sanatoriums for tuberculosis. “We are in many many troubles for the moment,” he confided, “so many that grief loses its dignity and bursts out laughing. I toughen it seems to me.” When Marjorie died of puerperal fever, in 1934, he was disconsolate. Many letters reveal Frost’s prickly opinions on politics and poets. For example, he disparaged Franklin Roosevelt’s New Deal and scorned “modernismus” in poetry, although he admired Ezra Pound and William Carlos Williams. “For my part,” he wrote, “I should be as satisfied to play tennis with the net down as to write verse with no verse form set to stay me.” Besides an informative introduction contextualizing the letters and consistently rigorous footnotes, the editors provide a biographical glossary and a narrative chronology.
A richly detailed portrait of Frost in his own words.Pub Date: April 13, 2021
ISBN: 978-0-674-72665-9
Page Count: 752
Publisher: Belknap/Harvard Univ.
Review Posted Online: Jan. 18, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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