If the Aztecs are enraged, it’s because one of them read this improbable mess.
Answer “no” immediately if someone asks, “Would you like to know . . . about the men I have killed, the women I have loved, the fortunes I have made . . . and stolen?”
There’s a certain misguided bravado to opening a historical novel with the hoary equivalent of a movie voiceover, compounded by the fact that the voiceover is voiced by a wannabe Zorro—or maybe the Cisco Kid. Don Juan de Zavala, though a Spaniard in Mexico, finds that the other Spaniards in Mexico just plain don’t like him. Narrowly avoiding the priesthood by virtue of an unfortunate incident—“I horsewhipped a fellow seminarian who branded me a sodomite after I described my lurid deflowering of a servant girl”—the resonantly named Don Juan becomes a champion of sword-and-dagger action, leading a revolt against the oppressive gachupines on behalf of the noble indios and criollo rebels who have decided that Don Juan is a pretty good guy, even though he’s foppish and educated and all that, because he’s a tad on the dark side and was called El Azteca Chico, the Little Aztec, as a lad, and because he's good in a fight. You can guess what Don Juan learns about why he’s thus complected, but no matter; he’s already torn off across the sea to sign up for action in the Napoleonic Wars, but not before having a minor epiphany or two: “Immersion in the ancient indio culture was slowly transforming me.” Creaky plot points and sneering villains notwithstanding, though, this franchised novel (“Gary Jennings’ Aztec Rage”) is soft porn wrapped in swashbuckling garb, and Zavala is frequently seen unbuckling his swash and piercing the waiting maids and maidens of New and Old Spain with various body parts, all in prose guaranteed to thrill the 13-year-old boy who stumbles upon this book at a garage sale.
If the Aztecs are enraged, it’s because one of them read this improbable mess.Pub Date: May 16, 2006
ISBN: 0-765-31014-7
Page Count: 432
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
BOOK REVIEW
Thriller fans will find so much space devoted to Gia and Jake’s sexual acrobatics that little time is left for the plot to...
A small Tennessee mountain town is awash in sex and scandal in Belle’s first novel.
Gia Andrews, a disaster relief worker, is also a convicted murderer’s daughter. Her father, Ray, was convicted of killing his wife and Gia’s stepmother, Ella Mae, and sentenced to life in prison. But Ray is dying, and prison officials are releasing him on compassionate grounds; Gia’s uncle Cal, a prominent lawyer, has recruited her to return home from Kenya to care for her dad in his home in Rogersville. Despite the fact that she hasn’t seen her father since she left many years ago, she returns, believing her brother, Bo, and sister, Lexi, will help her, but she finds that neither wants anything to do with their father. Her nearest allies turn out to be the home-care worker Uncle Cal has hired, Fannie, and the new man she meets, a bar-and-grill owner named Jake. When Gia meets a law professor planning to write a book about wrongful convictions, he tells her he believes Ray didn’t kill Ella Mae and that Cal, who was Ray’s attorney, didn’t mount much of a defense. After looking into these allegations, Gia discovers her stepmother had an affair with another man and wonders whether her father could be innocent after all. While trying to unravel the mystery of who really killed Ella Mae, things heat up between Gia and Jake, and suddenly the mystery takes a whole new direction. Belle’s a smooth writer whose characters are vibrant and truly reflect the area where the novel is set, but the plot—while clever—takes a back seat to Gia’s and Ella Mae’s separate, but equally steamy, sexual exploits.
Thriller fans will find so much space devoted to Gia and Jake’s sexual acrobatics that little time is left for the plot to develop.Pub Date: Sept. 30, 2014
ISBN: 978-0-7783-1722-7
Page Count: 400
Publisher: Harlequin MIRA
Review Posted Online: Aug. 12, 2014
Kirkus Reviews Issue: Sept. 1, 2014
The late (d. 1988), leathery, awesomely unstoppable (over 100 books still in print) L’Amour, still producing fluently from his grave (End of the Drive, 1997), offers one more gathering of unpublished tales, proving again that great writing laughs at death. Showing sheer contempt for slow openings, L’Amour’s seven newly discovered short stories offer some breath-catching first paragraphs echoing with the cold steel click of a Colt .45 hammer being cocked. The lead story, “The Man from Utah,” polishes L’Amour’s walnut prose to its glossiest grain. Bearing a fearsome reputation as a gunfighter, Marshall Utah Blaine arrives in Squaw Creek to investigate 14 recent murders (three were marshals) by a cunning bandit masquerading as an upright citizen. By a process of deduction, the shrewd Blaine narrows his suspects down until he has the killer. “Here Ends the Trail” opens with a High L’Amouresque Miltonic Inversion: “Cold was the night and bitter the wind and brutal the trail behind. Hunched in the saddle, I growled at the dark and peered through the blinding rain. The agony of my wound was a white-hot flame from the bullet of Korry Gleason.” This builds to an explosive climax that mixes vengeance with great-heartedness. “Battle at Burnt Camp,” “Ironwood Station” and “The Man from the Dead Hills” all live up to the melodrama of their blue-steel titles. “Strawhouse Trail” opens memorably with the line: “He looked through his field glasses into the eyes of a dying man.” And never lets up. The title novella tells of Lona Markham’s unwilling engagement to six-foot-five, 250-pound, harsh-lipped Frank Mailer, who has “blue, slightly glassy eyes.” Will Lance Kilkenny, the mysterious Black Rider, save her from indestructible Mailer? Stinging stories of powerful men against landscapes you can strike a match on.
Pub Date: May 11, 1998
ISBN: 0-553-10833-6
Page Count: 260
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
BOOK REVIEW
BOOK REVIEW
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