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THE TRANSCENDENTALISTS AND THEIR WORLD

A vigorous, compelling American history.

The history of a flourishing 19th-century village that gave rise to transformative thought.

Conceived as a sequel of sorts to Gross’ acclaimed The Minutemen and Their World (1976), this book is a deeply researched inquiry into the idea of individualism as expressed and grappled with by the two most famous transcendentalists, Emerson and Thoreau, among many others in 19th-century New England. Drawing on prodigious scholarly and archival sources, Gross creates a vibrant portrait of Concord, Massachusetts, as a thriving village that, from the 1820s to the 1840s, confronted evolving intellectual, economic, social, political, and spiritual pressures as well as contentious issues that drove townspeople “into mutually suspicious enclaves,” frayed bonds of community, and undermined an “ideology of interdependence” inherited from the Puritans. In the 1820s and ’30s, Concord prospered, with factories producing cloth from cotton picked by Southern slaves; a pencil factory, owned by Thoreau’s family; a circulating library, debating club, and lyceum; bustling shops; and, notably, the exclusive, influential Social Circle, “a self-selecting club of the local elite,” open only by nomination (Emerson proudly joined in 1839). Gross’ large, colorful cast of characters includes conflicting religious leaders, such as Congregationalist Ezra Ripley and Calvinist Lyman Beecher; African American artisans, Irish immigrants, and local farmers; and reform-minded women who energetically took up the cause of abolition, to which Emerson—unlike Thoreau—came late. Thoreau, Gross writes, “captured the driving forces of the day,” including the invasive “iron horse” (Emerson, unlike Thoreau, was an early supporter of the railroad and bought railroad stock), modern communications, the need for better schools, and “the moral and spiritual failures of church and state, the problematic programs of the reformers, and the loss of wildness in nature.” Gross incisively examines Emerson’s “masculine version of individualism,” which was offensive to his wife; Thoreau’s apparent retreat from social life; and both men’s changing conception of the individual within a matrix of social obligations and sustaining community.

A vigorous, compelling American history.

Pub Date: Nov. 9, 2021

ISBN: 978-0-374-27932-5

Page Count: 864

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 17, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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