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DRAG WARS

FANGULA VS. PRIDEZILLA

Sex, humor, social commentary, and musical numbers animate this absorbing drag drama.

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In Karl’s LGBTQ+ novel, a newcomer queen and an up-and-coming performer are set on a collision course in the extra-fabulous Drag Wars tournament.

Donnie’s life is far from easy—his job as a waiter barely earns enough money to take care of his younger brother Carlito while their mother is lost to the streets of Philadelphia, hopelessly addicted to a drug called Tranq. Donnie finds a reprieve on the dance floors of Club Fuego on Friday nights, when it’s taken over by the “Queers, the Queens, the Fashionistas, even the Bizarros,” each writhing body looking for love or just attention. Watching the drag queens perform, Donnie dreams of finding fame on the stage as Fangula, a Latine sensation with fans, an entourage, and a man (not a player) to love him. A new queen right off the bus from Baltimore named Jalen arrives, a voluptuous vision called Pridezilla with a singing voice that can bring even unsuspecting crowds to fevered standing ovations. Both Fangula and Pridezilla look to the advice and legacies of their elder queens to get a leg up in their inevitable showdown in the Drag Wars finals at Club Fuego. Much like the dual protagonists’ acts, everything in Karl’s book is exaggerated; the dialogue takes on a campy, John Waters–esque crassness. Despite this larger-than-life presentation, the novel still evinces a strong and serious social awareness, including nuanced discussions of poverty, sex work, and pronoun use. Pridezilla’s participation in Drag Story Hours illustrates the harmlessness and kindness of these supposedly controversial events, and both Jalen and Donnie face the same violence and bigotry toward themselves and those in their community as real-world LGBTQ+ people do. The performances on stage come alive on the page despite the lack of lights and booming pop music, and the addition of the Greek chorus–like “Snark Sharks,” with their playful yet savage jibes, brings even more humor and style to the proceedings. The story has spicier moments as well—while some are more romantic than others, they all manage to turn up the heat faster than any brightly shining stage light.

Sex, humor, social commentary, and musical numbers animate this absorbing drag drama.

Pub Date: June 28, 2024

ISBN: 9798987912669

Page Count: 275

Publisher: Self

Review Posted Online: July 29, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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