A highly readable and workmanlike history of Grace Kelly— still one of the saddest stories ever told. Regrettably, Lacey overanalyzes, dumbing down a well-researched effort. Even in her MonÇgasque tomb, Princess Grace, the former Gracie Kelly of East Falls, Pa., receives as many as 9,000 visitors a day. Lacey (Little Man, 1991, etc.) paces through her life, step by step, explaining why Grace did this and why Grace did that, and what it all meant. Terms like ``inner child,'' ``enabler,'' and ``empowering'' bring her biography into the '90s, as does Lacey's insistence on allowing a more honest portrait of Grace to emerge from the ruin of illusion. The animus of Grace's life appears to have been her handsome, authoritarian father, Jack Kelly, champion oarsman and head of Kelly for Brickwork. Grace had a series of affairs with older men, including Clark Gable, Oleg Cassini, William Holden, and Philippe of the Waldorf. Much is made of the fire-and-ice duality of Grace's character: docile in a Junior League cashmere coat and then dancing naked to Russian music in front of her lover. There are spicy anecdotes and good Hollywood gossip. Grace makes it to the top, but once she boards the U.S.S. Constitution for Monaco, her life's a downhill proposition. Apparently her dysfunctional family couldn't hold a candle to Rainier's. The prince's mother arrived at the royal wedding with her newest protÇgÇ, a paroled jewel thief, and decided immediately to despise Grace. Rainier was mean and moody; her children were mean and spoiled. ``Grace had become everybody's doormat,'' says Lacey. He publishes new information from interviews with her ``toy boys,'' the lovers she had in middle age, and Rogev Bencze, who investigated the fatal car crash. In the end little of the biography is as eloquent as the cover portrait. But Lacey creates a powerfully engaging woman, then mercilessly, he shows us how Grace did not live happily ever after. And if she couldn't do it, what chance do the rest of us have? (32 b&w photos, most not seen) (100,000 first printing; first serial to Vanity Fair; Literary Guild main selection)
Pub Date: Sept. 28, 1994
ISBN: 0-399-13872-2
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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