A worthwhile investigation into a true legend of the blues.
A dogged researcher illuminates the mysteries and majesty of Robert Johnson.
McCormick (1930-2015), an influential musicologist and folklorist, was known for the massive archive he had assembled on seminal blues artists as well as his refusal to share so much of it. He dubbed his archive “the Monster,” and he struggled to tame it into book form, which makes this long-awaited publication a significant event in music scholarship. Edited by Troutman, a curator of American music at the Smithsonian's National Museum of American History, this volume contains an early draft of the Johnson manuscript that the author had revised for decades and ultimately abandoned before his death, in addition to Troutman’s preface and afterword. It’s a highly readable account of his discoveries. When he began, McCormick had little useful information about his subject beyond the towns mentioned in Johnson’s recordings, which had been reissued to great acclaim. He proceeded through the Mississippi Delta area, knocking on doors and asking questions, a White outsider in predominantly Black communities. There were no photos of Johnson and almost no information on where he was born; nor was there agreement that his name was actually Robert Johnson. Still, McCormick pushed on, diligently recording his findings in text and photos. He describes how he shared the reissue of Johnson’s recordings with those who had heard the music in person, and he records eyewitness testimony from the night of his murder, likely poisoned by a man who had warned Johnson away from a woman. This edited version of the manuscript could stand on its own as a revelation, but the contextual material adds to the intrigue. Troutman interrogates some of McCormick’s methods while raising the larger issues of race and appropriation. “Rather than collaborate with living Black intellectuals to study Black music,” writes Troutman, many White collectors and writers “preferred to pursue…what they considered the authentic Black experience, the real, through their own, self-guided, personal quests of blues discovery.”
A worthwhile investigation into a true legend of the blues.Pub Date: April 4, 2023
ISBN: 9781588347343
Page Count: 264
Publisher: Smithsonian Books
Review Posted Online: Jan. 17, 2023
Kirkus Reviews Issue: Feb. 15, 2023
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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