An important, long-overdue biography.
A deep biographical treatment of the Pulitzer Prize–winning journalist who is the scourge of those in power.
Seymour Hersh, now in his late 70s, began his unlikely journalism career in 1959 after earning a history degree from the University of Chicago and dropping out of law school. With limited cooperation from his subject, journalist and former journalism professor Miraldi (The Pen Is Mightier: The Muckraking Life of Charles Edward Russell, 2003, etc.) documents his remarkable, controversial decades as an investigative reporter. Hersh comes across as a good guy of limited patience when approached by fellow journalists and as a bulldog with sharp teeth when in his reporter mode. Miraldi clearly demonstrates how the journalistically capable but mostly unknown Hersh rocketed to fame in 1969 with his exploration of the My Lai massacre. Despite the enormity of that atrocity and countless similar atrocities by American troops, no other journalist was digging into the topic, and Hersh had difficulty finding a news outlet to publish his findings. Eventually, his output of books, investigations for the New York Times, projects for the New Yorker and speeches to a wide variety of audiences made Hersh famous, albeit alternately loved or hated. Miraldi explains why there is rarely a middle ground of opinion regarding Hersh the person and Hersh the muckraker. Although Hersh is extremely closed about his family life, Miraldi manages to reveal pertinent information, allowing his subject to emerge from the pages as fully human rather than a one-dimensional scandal hound. In the competition between Hersh and Bob Woodward—a competition that includes strong feelings from the supporters and detractors of each—Hersh can be considered to be superior based on Miraldi's portrait, despite the warts the biographer delineates. Miraldi closes the Hersh saga in 2004, after Hersh's exposé of Abu Ghraib, yet another blot on America's reputation in the world.
An important, long-overdue biography.Pub Date: Oct. 1, 2013
ISBN: 978-1-61234-475-1
Page Count: 416
Publisher: Potomac Books
Review Posted Online: Nov. 15, 2013
Kirkus Reviews Issue: Dec. 1, 2013
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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