Superfluous.
The hugging and rocking back and forth become literal thanks to pull-tabs in this 3-D rendition of the 1986 classic.
Pop-ups take the creepiness of Munsch’s paean to helicopter parenting to a whole new level, as opening gatefolds cause the crawling white (apparently single) mother’s head to rise eerily over the edge of her 2-year-old’s bed and to peer through his door in the night when he’s a teenager. Otherwise the special effects are confined to simple backing and forthing or small, often disjointed motions that add little except physical fragility to the art. The text is unchanged, as are McGraw’s illustrations—which, what with the teen’s Walkman, the touch-tone phones, and the grown-up son’s preppy pullover, have not aged well—and the plot still follows its circular course to the final scene of the young dad rocking a baby who is, to judge from the lack of any visible or narrative evidence of female agency, stolen or adopted.
Superfluous. (Pop-up picture book. 3-6, adult)Pub Date: Oct. 1, 2017
ISBN: 978-1-77085-965-4
Page Count: 14
Publisher: Firefly
Review Posted Online: Sept. 17, 2017
Kirkus Reviews Issue: Dec. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
A fresh, melodic take on family harmony.
Rock legends, husband-and-wife team, and proud grandparents Benatar and Giraldo present an upbeat ode to families.
A youngster with long blond hair confides conspiratorially, “This might come as a bit of a shock, // but my grandma and grandpa…ROCK!” The silver-haired duo—who resemble the co-authors—jam out in a practice space; Grandpa strums an electric guitar, while Grandma belts out a tune, microphone in hand. (All three are pale-skinned.) Jagged star strokes burst from the amps, reverberating across the page. As the young narrator sings the praises of these hip, artistically minded grandparents, the illustrations depict many varied, diverse families making music. One grandparent strums a ukulele, another prefers the drums, and an especially eclectic granny croons everything from lullabies to Led Zeppelin while cooking. There’s no wrong way to share joy with grandparents. Benatar and Giraldo acknowledge that you don’t have to be a musician to rock (“Anyone can rock! / It’s a state of mind, / like feeling happy or being kind”) as they speak to other passions and occupations (“They can be a plumber, a chef, a pilot, a teacher”). One spread showcases other names for grandparents, both colloquial and cultural, presented without disrupting the text’s rhythm. As expected, this pair lays down a steady beat with a smooth flow. Everett’s energetic art, with musical swooshes and swirls, buoys the text.
A fresh, melodic take on family harmony. (Picture book. 3-6)Pub Date: Sept. 9, 2025
ISBN: 9781728298023
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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