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NATSUMI'S SONG OF SUMMER

Immersive illustrations and rich poetry urge young readers to slow down and appreciate nature.

Poetry and art harmoniously evoke the simplicity of a summer friendship set in Japan.

Natsumi, a young peach-skinned girl with straight, dark hair, was born in lotus season. Her name means “the sea in summer,” and summer seems to run through her veins. She loves the heat, the outdoor activities, “the cool bursts / of plum rain, heavy and sweet.” Eye-catching illustrations, done in a seasonal palette of pinks, greens, blues, and purples, capture the flora and fauna of these few months—especially the cicadas. Natsumi is intrigued by these fleeting flyers and seeks them out when they arrive. On her birthday, her cousin Jill, a girl with brown skin and curly hair, comes on a plane to visit, and Natsumi worries whether they will be friends, whether Jill will like Natsumi’s world. Long stalks of bamboo and swaying paper lanterns intersect the page here to denote Natsumi’s anxiety. But in fact, Jill and Natsumi fit together like sun and summer, eating watermelon on the beach; dancing, kimono-clad, in a festival; and watching fireworks. But will Jill be frightened by the unfamiliar, buzzing cicadas? Their friendship unfolds page by page as they build a summer of memories together. Weston tells this sweet story in a sequence of tanka, a traditional Japanese poetic form that builds on haiku with an extra couplet. Weston explains the form in the backmatter and provides information about the cicada’s significance in Japanese culture.

Immersive illustrations and rich poetry urge young readers to slow down and appreciate nature. (Picture book. 3-6)

Pub Date: May 12, 2020

ISBN: 978-0-7352-6541-7

Page Count: 40

Publisher: Tundra Books

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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HEY, DUCK!

A sweet, tender and charming experience to read aloud or together.

A clueless duckling tries to make a new friend.

He is confused by this peculiar-looking duck, who has a long tail, doesn’t waddle and likes to be alone. No matter how explicitly the creature denies he is a duck and announces that he is a cat, the duckling refuses to acknowledge the facts.  When this creature expresses complete lack of interest in playing puddle stomp, the little ducking goes off and plays on his own. But the cat is not without remorse for rejecting an offered friendship. Of course it all ends happily, with the two new friends enjoying each other’s company. Bramsen employs brief sentences and the simplest of rhymes to tell this slight tale. The two heroes are meticulously drawn with endearing, expressive faces and body language, and their feathers and fur appear textured and touchable. Even the detailed tree bark and grass seem three-dimensional. There are single- and double-page spreads, panels surrounded by white space and circular and oval frames, all in a variety of eye-pleasing juxtapositions. While the initial appeal is solidly visual, young readers will get the gentle message that friendship is not something to take for granted but is to be embraced with open arms—or paws and webbed feet.

A sweet, tender and charming experience to read aloud or together. (Picture book. 3-6)

Pub Date: Jan. 22, 2013

ISBN: 978-0-375-86990-7

Page Count: 40

Publisher: Random House

Review Posted Online: Nov. 13, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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