by Robert Paul Weston ; illustrated by Misa Saburi ‧ RELEASE DATE: Feb. 20, 2018
Writing in a series of tanka poems, Weston addresses the difficulty of moving to a new country and the loss of a loved one...
A Japanese girl’s beloved cherry blossoms become a metaphor for the ephemerality of life when her grandmother passes away, her memory still abloom even across the sea in America.
Sakura, whose name means cherry blossom, loves to picnic with her obaachan under the cherry tree. Together they tell stories and eat bento lunches. But when Sakura moves from Japan to the United States, everything becomes unfamiliar—the house, the trees, the school, and the language, whose words “nipped and snapped on her tongue like the tang of pickled plums.” With the help of a new, white friend, Sakura slowly adjusts, until she loses her grandmother and is thrown into grief. When spring arrives and their city’s riverfront is covered in cherry blossoms, Sakura finds herself full of memories and love for her obaachan as she picnics with new friends under the cherry trees. Digital illustrations showcase interesting compositions and good design sensibilities, and Saburi has a unique way of rendering the world. However, the color palette is muddied. The heavy use of complementary colors leads to a muddiness in value and a less appealing environment. Nevertheless, there’s an earnestness that comes from the words and art as Sakura’s tale of intergenerational love shines through.
Writing in a series of tanka poems, Weston addresses the difficulty of moving to a new country and the loss of a loved one with warmth and compassion. (Picture book. 4-8)Pub Date: Feb. 20, 2018
ISBN: 978-1-101-91874-6
Page Count: 40
Publisher: Tundra Books
Review Posted Online: Nov. 26, 2017
Kirkus Reviews Issue: Dec. 15, 2017
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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by Marilyn Sadler ; illustrated by Ard Hoyt
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