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THE BOMB MAKER'S SON

Guaranteed to appeal to nostalgia buffs who can’t forget their activist days and fans of courtroom drama who demand surprise...

Defending an aging former radical who’s turned himself in for a 1975 bombing proves to be a blast from the past for LA attorney Parker Stern (Reckless Disregard, 2014, etc.) in more ways than one.

Parker can’t well refuse to take Ian Holzner’s case. Not because Parker’s horrible mother, Harriet, who’s called herself Quiana Gottschalk ever since she became an elder of the Church of the Sanctified Assembly, pops up out of nowhere to insist that he take it, but because he can’t deny her clinching argument: Holzner is the father he’s never known. Given his double responsibility as lawyer and son, Parker gives Holzner’s defense everything he’s got. He mends fences with his former girlfriend Lovely Diamond because she works at the law firm of dislikable Louis Frantz, whose status as a death-penalty defender Parker has to trade on in order to take the case. He labors in vain to unearth the trial transcript that sent Holzner’s co-conspirator, Rachel O’Brien, who blamed the bombing on him, to prison for six years. He holds his nose long enough to question two other Holzner-O’Brien gang members: psychopathic Belinda Hayes, who testified against Holzner at O’Brien’s trial, and lily-livered Charles Sedgwick, who’s still doing hard time even though everyone knows he’s incapable of making the bomb that was planted in the Playa Delta VA Hospital back in the day. He does his best to find some common ground with spluttering, self-righteous Holzner, who could pose convincingly as the client from hell. The result is a series of firecrackers and depth charges that go right on detonating after the defense rests.

Guaranteed to appeal to nostalgia buffs who can’t forget their activist days and fans of courtroom drama who demand surprise after surprise and don’t mind seeing multiple cast members unmasked as radicals or undercover cops or killed off to provide them.

Pub Date: June 9, 2015

ISBN: 978-1-63388-044-3

Page Count: 350

Publisher: Seventh Street Books

Review Posted Online: March 20, 2015

Kirkus Reviews Issue: April 1, 2015

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NO BAD DEED

Chavez delivers a fraught if flawed page-turner that attempts too many twists.

A good Samaritan incurs a psychopath’s wrath in this debut thriller.

Veterinarian Cassie Larkin is heading home after a 12-hour shift when someone darts in front of her car, causing her to dump her energy drink. As she pulls over to mop up the mess, her headlights illuminate a couple having a physical altercation. Cassie calls 911, but before help arrives, the man tosses the woman down an embankment. Ignoring the dispatcher’s instructions, Cassie exits the vehicle and intervenes, preventing the now-unconscious woman’s murder. With sirens wailing in the distance, the man warns Cassie: “Let her die, and I’ll let you live.” He then scrambles back to the road and flees in Cassie’s van. Using mug shots, Cassie identifies the thief and would-be killer as Carver Sweet, who is wanted for poisoning his wife. The Santa Rosa police assure Cassie of her safety, but the next evening, her husband, Sam, vanishes while trick-or-treating with their 6-year-old daughter, Audrey. Hours later, he sends texts apologizing and confessing to an affair, but although it’s true that Sam and Cassie have been fighting, she suspects foul play—particularly given the previous night’s events. Cassie files a report with the cops, but they dismiss her concerns, leaving Cassie to investigate on her own. After a convoluted start, Chavez embarks on a paranoia-fueled thrill ride, escalating the stakes while exploiting readers’ darkest domestic fears. The far-fetched plot lacks cohesion and relies too heavily on coincidence to be fully satisfying, but the reader will be invested in learning the Larkin family’s fate through to the too-pat conclusion.

Chavez delivers a fraught if flawed page-turner that attempts too many twists.

Pub Date: Feb. 18, 2020

ISBN: 978-0-06-293617-2

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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SOMETIMES I LIE

Though the novel eventually begins to sag under the weight of all its plot elements, fans of the psychological thriller will...

A pathological liar, a woman in a coma, a childhood diary, an imaginary friend, an evil sister—this is an unreliable-narrator novel with all the options.

"A lot of people would think I have a dream job, but nightmares are dreams too." Was it only a week ago Amber Reynolds thought her job as an assistant radio presenter was a nightmare? Now it's Dec. 26 (or Boxing Day, because we're in England), and she's lying in a hospital bed seemingly in a coma, fully conscious but unable to speak or move. We won't learn what caused her condition until the end of the book, and the journey to that revelation will be complicated by many factors. One: She doesn't remember her accident. Two: As she confesses immediately, "Sometimes I lie." Three: It's a story so complicated that even after the truth is exposed, it will take a while to get it straight in your head. As Amber lies in bed recalling the events of the week that led to her accident, several other narrative threads kick up in parallel. In the present, she's visited in her hospital room by her husband, a novelist whose affections she has come to doubt. Also her sister, with whom she shares a dark secret, and a nasty ex-boyfriend whom she ran into in the street the week before. He works as a night porter at the hospital, giving him unfortunate access to her paralyzed but not insensate body. Interwoven with these sections are portions of a diary, recounting unhappy events that happened 25 years earlier from a 9-year-old child's point of view. Feeney has loaded her maiden effort with possibilities for twists and reveals—possibly more than strictly necessary—and they hit like a hailstorm in the last third of the book. Blackmail, forgery, secret video cameras, rape, poisoning, arson, and failing to put on a seat belt all play a role.

Though the novel eventually begins to sag under the weight of all its plot elements, fans of the psychological thriller will enjoy this ambitious debut.

Pub Date: March 13, 2018

ISBN: 978-1-250-14484-3

Page Count: 272

Publisher: Flatiron Books

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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