by Robin Bernstein ‧ RELEASE DATE: May 1, 2024
A timely and haunting look at key elements of incarceration history.
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Bernstein, a Harvard University professor and award-winning historian, surveys the origins of the United States’ for-profit prisons in this 19th-century case study.
“American prisons are worksites,” writes the author in an introduction, noting that they generate billions of dollars in commodities and services based on the labor of underpaid (or unpaid) incarcerated people who “do not have the right to refuse to work.” Historians most often trace the origins of such profit-driven labor to the 13th Amendment of the U.S. Constitution, which banned slavery “except as a punishment for crime”; Bernstein highlights its use more than half a century earlier in an engaging and often infuriating survey of New York’s Auburn State Prison. Bernstein notes how the Auburn’s founders sought not only to punish criminals, but also to “stimulate economic development” with prison-sponsored factories that produced myriad consumer products, from animal harnesses to carpets. In many ways, the book convincingly argues, Auburn created a framework that continues to shape the country’s prison industrial complex, with its inclusion of humiliation rituals (such as a ban on speaking) and its much-imitated black-and-white striped uniform. The book pays particular attention to the case of William Freeman, a Black and Native American young man who was first sentenced to Auburn in 1840when he was 15. Freeman would first defy Auburn’s rules by speaking up against its horrific working conditions, and, later, sought revenge through violence in an incident that rocked mid-1800s New York City. The case is a particularly useful study that allows the author to explore the prison’s policies and engage with the contemporary prison abolitionist movement. The book’s strongest suit is its impressive research, which is backed by nearly 70 pages of endnotes. Bernstein balances her solid understanding of theoretical approaches to American prisons, developed by activist and academic Angela Y. Davis and others, with impressive mining of diaries, letters, newspapers, and other primary sources from the era. The book’s engaging, relevant narrative is accompanied by more than three dozen full-color images, including maps, paintings, blueprints, and newspaper clippings.
A timely and haunting look at key elements of incarceration history.Pub Date: May 1, 2024
ISBN: 9780226744230
Page Count: 288
Publisher: The University of Chicago Press
Review Posted Online: Nov. 15, 2024
Review Program: Kirkus Indie
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by Chuck Klosterman ‧ RELEASE DATE: Jan. 20, 2026
A smart, rewarding consideration of football’s popularity—and eventual downfall.
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New York Times Bestseller
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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