Although much of this book’s gravity and richness is carried forward from the first two, devotees of His Fair Assassin will...
The glorious series about convent-trained assassins concludes, reframing a main character in ways that shift the meaning of the whole series.
It’s Brittany, 1488. Death’s handmaidens Ismae (Grave Mercy, 2012) and Sybella (Dark Triumph, 2013) are off on assignment, helping the steadfast 13-year-old duchess defend Brittany against impending French occupation. Annith’s stuck in the convent, desperate to be sent out: How can she serve Mortain—their father and the god of death—behind abbey walls? Slated for a duty that will keep her convent-bound forever, Annith runs. She plans to investigate the abbess’ shady machinations but instead meets a group of hellequin on horseback, “souls of the damned” serving Mortain to earn redemption. After sparks fly with their brooding leader, Balthazaar, Annith joins the royal court in Rennes. Real historical threads provide profound resonance, and plot twists run deep. Unfortunately, a life-threatening danger near the end disappears via a disingenuous textual sleight-of-hand; worse, Mortain transforms from awe-inspiring god to something rather more pedestrian. Because he’s Death, this change robs this volume of the previous installments’ peculiar, breathtaking religious grace, undermines the convent’s raison d’être and upends the series’ magnificent premise. Though far more naïve than Ismae and Sybella, Annith is sympathetic, and her story is compelling if less action-packed and desperate than theirs; this novel never drags, but nor does it glow with beauty like the first two.
Although much of this book’s gravity and richness is carried forward from the first two, devotees of His Fair Assassin will be gratified to receive this closure, especially on the political front. (Historical fantasy. 14 & up)Pub Date: Nov. 4, 2014
ISBN: 978-0-547-62840-0
Page Count: 464
Publisher: HMH Books
Review Posted Online: July 21, 2014
Kirkus Reviews Issue: Sept. 15, 2014
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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