An ambitious legal thriller about racism and injustice that loses its focus.
A murder trial in Miami reveals ugly secrets in the criminal justice system.
Told mostly through courtroom dialogue and flashbacks, this debut legal thriller follows the trial of Gabriel Soto, who has been charged with killing a woman he met in a Miami bar. But this book has higher ambitions, too. A former homicide prosecutor and current congressional investigative counsel, author Peguero wants to shine a light on the inequities and prejudices that influence the outcome of every trial. The story unfolds from the points of view of myriad characters: the attorneys using every trick they can to secure a courtroom victory; the jurors who must decide Soto’s fate; and the witnesses and experts called to testify, who come to the stand with their own secrets and biases. From the start, Peguero reveals how each individual’s past shapes the eventual verdict. An example: The foreman had an unpleasant encounter with a racist police officer that will influence his vote—though not in the way his fellow jurors suspect. This is a creative idea, but it comes at the expense of a compelling narrative focus. Some characters are little more than sketches, while others are cartoonishly drawn, such as the prosecutor, who orders a detective to pretend to assault her because she needs to feel what the victim felt. Meanwhile, she’s sleeping with the reporter covering the trial, who offers to hold a big story for her (Peguero at least switches the usual genders of this cliché). The dialogue too often lapses into pronouncements during casual conversation. At one point a reporter actually says, “I am in the business of seeking out truth.” Peguero eventually wrestles the story back to the question of Soto’s guilt or innocence, but by then the damage is done. Addressing racism and injustice in the U.S. legal system is admirable, but the author too often forgets what makes a legal thriller work.
An ambitious legal thriller about racism and injustice that loses its focus.Pub Date: May 17, 2022
ISBN: 978-1-5387-0628-2
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
High art meets low life in a tale a lot more sympathetic to the latter.
Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.
In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.
High art meets low life in a tale a lot more sympathetic to the latter.Pub Date: Sept. 2, 2025
ISBN: 9781250370822
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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