An easygoing novel about faith, found family, and community.
In Reardon’s novel, a pastor entrenches himself in his new community.
In 1987, reverend Spencer Hill arrives in the town of Assisi, Vermont, his new home and the location of the branch of the Unitarian Universalist congregation he will soon be leading. Taking over for his retiring predecessor, Vanessa Doyle, will be both a joy and a challenge, as it seems she is well loved by the community; indeed, Spencer finds himself enjoying her company as well. As Spencer gets to know his new congregation, he finds himself drawn to one of the lay ministers, a high-school English teacher named Marshall Savage (“I remembered the youngest one better than the others, partly because of his age and partly because I liked his name: Marshall Savage. Also, he was every bit as tall as I was”). The two embark on a quiet relationship, though it is far from smooth sailing, complicated by Marshall’s traumatic past and his desire to hide his sexuality from his employer. As busy as he is with his budding relationship and the building upkeep duties he’s taken over, Spencer becomes aware of a nearby community of Pagans that he wishes to befriend and open communication with, and learns of the horrible attack on their community in 1904 that he wants to explore further. Having found his calling in the Unitarian Universalist congregation, Spencer wants the same sense of community and home for all of the residents of his new town, and he might just run himself ragged trying to achieve it all. As a reverend, Spencer’s beliefs are integral to the story, but they are treated with a sense of serenity rather than wielded with a heavy hand. Featuring a broad cast of characters, the author makes everyone feel unique, making even those who show up infrequently easily distinguishable. Even when Spencer’s relationship gets painful, or things get scary, the narrative has a calming, even tone that will keep readers engaged and entertained.
An easygoing novel about faith, found family, and community.Pub Date: N/A
ISBN: 9781734056969
Page Count: -
Publisher: IAM Books
Review Posted Online: Aug. 29, 2023
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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