An easygoing novel about faith, found family, and community.
In Reardon’s novel, a pastor entrenches himself in his new community.
In 1987, reverend Spencer Hill arrives in the town of Assisi, Vermont, his new home and the location of the branch of the Unitarian Universalist congregation he will soon be leading. Taking over for his retiring predecessor, Vanessa Doyle, will be both a joy and a challenge, as it seems she is well loved by the community; indeed, Spencer finds himself enjoying her company as well. As Spencer gets to know his new congregation, he finds himself drawn to one of the lay ministers, a high-school English teacher named Marshall Savage (“I remembered the youngest one better than the others, partly because of his age and partly because I liked his name: Marshall Savage. Also, he was every bit as tall as I was”). The two embark on a quiet relationship, though it is far from smooth sailing, complicated by Marshall’s traumatic past and his desire to hide his sexuality from his employer. As busy as he is with his budding relationship and the building upkeep duties he’s taken over, Spencer becomes aware of a nearby community of Pagans that he wishes to befriend and open communication with, and learns of the horrible attack on their community in 1904 that he wants to explore further. Having found his calling in the Unitarian Universalist congregation, Spencer wants the same sense of community and home for all of the residents of his new town, and he might just run himself ragged trying to achieve it all. As a reverend, Spencer’s beliefs are integral to the story, but they are treated with a sense of serenity rather than wielded with a heavy hand. Featuring a broad cast of characters, the author makes everyone feel unique, making even those who show up infrequently easily distinguishable. Even when Spencer’s relationship gets painful, or things get scary, the narrative has a calming, even tone that will keep readers engaged and entertained.
An easygoing novel about faith, found family, and community.Pub Date: N/A
ISBN: 9781734056969
Page Count: -
Publisher: IAM Books
Review Posted Online: Aug. 29, 2023
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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