A serviceable thriller with a few unexpected twists.
A woman living in her car saves a wealthy housewife from drowning, sending both of their lives into turmoil.
Lee Gulliver was once a plucky young restaurateur in New York City. That is, until the pandemic hit and her business—and life—fell apart. On the run from a shady businessman to whom she owes money, Lee flees to Seattle to start a new life, with very little to her name. One morning, when sleeping in her car near the beach, Lee hears a disturbance and awakens to find a beautiful young woman trying to drown herself in the ocean. Lee saves the woman, whose name is Hazel Laval, and, after a brief misstart where Hazel is annoyed at said saving, the two forge an unlikely friendship. As the women get closer, Hazel reveals that she and her husband, Benjamin, are in a BDSM relationship turned deeply abusive, and she begs Lee to help her escape. Lee, desperate for companionship in her itinerant life, wants to do anything she can to save Hazel (again). But all is not as it seems, and as Lee starts to get closer to handsome and charming Jesse Thomas, whom she meets while getting her car fixed, secrets and lies begin to unravel. Switching between Lee's and Hazel’s perspectives, the story is fast-paced and packed with action. The dialogue, however, is stilted and clichéd, with a villain saying things like “It played into my hands nicely” and a heroine waxing poetic about how in “this next chapter, I must rely on my wits and courage to survive.” While this book won't satisfy readers looking for psychological intrigue, it does check certain boxes: It's quick moving with a plot intricate enough to keep the reader hooked.
A serviceable thriller with a few unexpected twists.Pub Date: June 13, 2023
ISBN: 9781538726761
Page Count: 336
Publisher: Grand Central Publishing
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
Soapy, suspenseful fun.
A remembered horror plunges a pregnant woman into a waking nightmare.
Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.
Soapy, suspenseful fun.Pub Date: Jan. 28, 2025
ISBN: 9781464227325
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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