A moving and quick-witted portrait of Dublin lives under lockdown.
In each of these 10 stories we enter a life and a marriage—either intact, fraying, or sundered—within which the various and frequently unexpected effects of the Covid-19 lockdown on Irish society are depicted with irresistible irreverence.
From the first story to the last, this instantly engaging chronicle of life during the pandemic lockdown in Ireland resonates with the voices of ordinary Dubliners who are enduring—and in an odd way relishing—the unprecedented social restrictions and upheaval that, in some cases, deliver hidden freedoms. “It was a decision,” a woman says of fleeing her suburban existence in "Gone." “Just, I hadn’t packed a bag...or thought about what I’d need to take....But when I heard the word. Lockdown. I was out of the house. Out of that life. I shut the door after me.” Alan in "Life Without Children," like most characters here, has reached the crisis age when the children are grown and gone, his parents are dead, and now he is “the oldest person he knew well,” a fact that “pleased him and kept him awake.” His wife leaves him, and he leaves his previous life to enter a more precarious one, as does each of the protagonists here, mostly by accident. A father walks the Dublin streets looking for the son he has driven away with his cruelty. A husband falls in love with his wife after decades of marriage only to face the terror of almost losing her to Covid-19. A son cruelly treated by his dying mother, ostracized by his family, and still drunk on the morning of the funeral he cannot attend tries to make sense of his kitchen, the contents of his fridge, the family pet: “He won’t be falling over again. He looked down at the dog, at his feet. —That right, Jim?” Humor of every shade, from near-slapstick to keen satire, prevents the collection’s moments of emotional insight from congealing into sentimentality. And Dublin itself, the broad streets and the even broader range of its natives’ speech—so pungent and quick—has rarely been so deftly captured.
A moving and quick-witted portrait of Dublin lives under lockdown.Pub Date: Feb. 22, 2022
ISBN: 978-0-59-330056-5
Page Count: 192
Publisher: Viking
Review Posted Online: Dec. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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