Dracula's diary reveals a complex, all-too-human character in this lush, entertaining, and generally convincing first novel by an Oxford-trained psychiatrist. Young Laszlo Dracula, second son of a deceased Hungarian nobleman, dreams of devoting his life to the scientific study of the human mind. Sent to Paris in 1866 to become a doctor, 23-year- old Laszlo assists by day at the infamous Salpàtriäre Hospital while socializing by night with the wealthy friends of his cousin, Nichole. Sinister but clever man-about-town Lothar von Pick soon takes it upon himself to introduce Laszlo to a top tailor and a gentlemen's brothel—where he is deflowered by an unbalanced young woman he tends at the sanitarium. Repelled by his unethical behavior yet unable to restrain himself, Laszlo makes a mistress of this vulnerable patient, until a fit of jealousy causes him to "accidentally'' cut her throat and flee Paris to avoid a murder charge. Back in the castle, Laszlo discovers that his older brother has died; he assumes the count's title, responsibilities, and even his wife. A 20-year period of isolation and sexual abstinence follows, until Laszlo again feels the beast within him begin to emerge. Soon, another mistress is murdered in a fit of jealousy, a prostitute is killed during a late-night drinking binge, and, finally, the local village maidens begin disappearing one by one. Rumors of vampires fly through the town as each corpse is found more viciously ravished than the one before—and as Count Dracula, now middle-aged and fully aware of the doom that awaits him, hurtles ever-faster down the slope of sin and degradation. Anscombe's characters are richly drawn, and his pseudo- Victorian prose is a pleasure to read—though once we understand where poor Laszlo is headed, the suspense inevitably begins to falter.
Pub Date: Sept. 1, 1994
ISBN: 978-0-7868-6040-5
Page Count: 480
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
Connelly takes a break from his Harry Bosch police novels (The Last Coyote, p. 328, etc.) for something even more intense: a reporter's single-minded pursuit of the serial killer who murdered his twin. Even his buddies in the Denver PD thought Sean McEvoy's shooting in the backseat of his car looked like a classic cop suicide, right clown to the motive: his despondency over his failure to clear the murder of a University of Denver student. But as Sean's twin brother, Jack, of the Rocky Mountain News, notices tiny clues that marked Sean's death as murder, his suspicions about the dying message Sean scrawled inside his fogged windshield—"Out of space. Out of time"—alert him to a series of eerily similar killings stretching from Sarasota to Albuquerque. The pattern, Jack realizes, involves two sets of murders: a series of sex killings of children, and then the executions (duly camouflaged as suicides) of the investigating police officers. Armed with what he's dug up, Jack heads off to Washington, to the Law Enforcement Foundation and the FBI. The real fireworks begin as Jack trades his official silence for an inside role in the investigation, only to find himself shut out of both the case and the story. From then on in, Jack, falling hard for Rachel Walling, the FBI agent in charge of the case, rides his Bureau connections like a bucking bronco—even as one William Gladden, a pedophile picked up on a low-level charge in Santa Monica, schemes to make bail before the police can run his prints through the national computer, then waits with sick patience for his chance at his next victim. The long-awaited confrontation between Jack and Gladden comes at an LA video store; but even afterward, Jack's left with devastating questions about the case. Connelly wrings suspense out of every possible aspect of Jack's obsessive hunt for his brother's killer. Prepare to be played like a violin.
Pub Date: Jan. 15, 1996
ISBN: 0-316-15398-2
Page Count: 440
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1995
Here, after last year's Of Love and Shadows, the tale of a quirky young woman's rise to influence in an unnamed South American country—with a delightful cast of exotic characters, but without the sure-handed plotting and leisurely grace of Allende's first—and best—book, The House of the Spirits (1985). When little Eva Luna's mother dies, the imaginative child is hired out to a string of eccentric families. During one of her periodic bouts of rebellion, she runs away and makes friends with Huberto Naranjo, a slick little street-kid. Years later, when she's in another bind, he finds her a place to stay in the red-light district—with a cheerful madame, La Senora, whose best friend is Melesio, a transvestite cabaret star. Everything's cozy until a new police sergeant takes over the district and disrupts the accepted system of corruption. Melesio drafts a protesting petition and is packed off to prison, and Eva's out on the street. She meets Riad Halabi, a kind Arab merchant with a cleft lip, who takes pity on her and whisks her away to the backwater village of Agua Santa. There, Eva keeps her savior's sulky wife Zulema company. Zulema commits suicide after a failed extramarital romance, and the previously loyal visitors begin to whisper about the relationship between Riad Halabi and Eva. So Eva departs for the capital—where she meets up with Melesio (now known as Mimi), begins an affair with Huberto Naranjo (now a famous rebel leader), and becomes casually involved in the revolutionary movement. Brimming with hothouse color, amply displayed in Allende's mellifluous prose, but the riot of character and incident here is surface effect; and the action—the mishaps of Eva—is toothless and vague. Lively entertainment, then, with little resonance.
Pub Date: Oct. 21, 1988
ISBN: 0241951658
Page Count: -
Publisher: N/A
Review Posted Online: Sept. 13, 2011
Kirkus Reviews Issue: Sept. 15, 1988
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