Dracula's diary reveals a complex, all-too-human character in this lush, entertaining, and generally convincing first novel by an Oxford-trained psychiatrist. Young Laszlo Dracula, second son of a deceased Hungarian nobleman, dreams of devoting his life to the scientific study of the human mind. Sent to Paris in 1866 to become a doctor, 23-year- old Laszlo assists by day at the infamous Salpàtriäre Hospital while socializing by night with the wealthy friends of his cousin, Nichole. Sinister but clever man-about-town Lothar von Pick soon takes it upon himself to introduce Laszlo to a top tailor and a gentlemen's brothel—where he is deflowered by an unbalanced young woman he tends at the sanitarium. Repelled by his unethical behavior yet unable to restrain himself, Laszlo makes a mistress of this vulnerable patient, until a fit of jealousy causes him to "accidentally'' cut her throat and flee Paris to avoid a murder charge. Back in the castle, Laszlo discovers that his older brother has died; he assumes the count's title, responsibilities, and even his wife. A 20-year period of isolation and sexual abstinence follows, until Laszlo again feels the beast within him begin to emerge. Soon, another mistress is murdered in a fit of jealousy, a prostitute is killed during a late-night drinking binge, and, finally, the local village maidens begin disappearing one by one. Rumors of vampires fly through the town as each corpse is found more viciously ravished than the one before—and as Count Dracula, now middle-aged and fully aware of the doom that awaits him, hurtles ever-faster down the slope of sin and degradation. Anscombe's characters are richly drawn, and his pseudo- Victorian prose is a pleasure to read—though once we understand where poor Laszlo is headed, the suspense inevitably begins to falter.
Pub Date: Sept. 1, 1994
ISBN: 978-0-7868-6040-5
Page Count: 480
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
A magical, deeply felt novel that breathes new life into an old genre.
A German teenager whose family moves to Alabama gets a deep-fried Southern gothic education.
Max is gifted, but if you’re thinking “honors student,” think again. He touches dead animals or withered plants and they return to life; whether his power (or curse, as Max thinks of it) works on dead people is part of the story’s suspense. The curse comes with pitfalls: Migraines besiege him after his resurrections, and he craves gobs of sugar. This insightful novel isn’t a fantasy, and Hudson treats Max’s gift as quite real. In addition, Hudson, an Alabama native, memorably evokes her home state, both its beauty and its warped rituals. Max’s father is an engineer, and the car company where he works has transferred him to a factory in Alabama; Max’s parents hope living there will give him a clean break from his troubled love for his dead classmate, Nils. Max is drawn to Pan, a witchy gay boy who wears dresses and believes in auras and incantations. Pan is the only person who knows about Max’s power. But Max also becomes enchanted with the Judge, a classmate's powerful father who’s running for governor and is vociferous about his astringent faith in Christ after an earlier life of sin (it's hard to read the novel and not think of Judge Roy Moore, who ran for U.S. Senate from Alabama, as the Judge’s real-life analogue). The Judge has plans for Max, who feels torn between his love for outcast Pan and the feeling of belonging the Judge provides. But that belonging has clear costs; the Judge likes to test potential believers by dosing them with poison. The real believers survive. Hudson invokes the tropes of Alabama to powerful effect: the bizarre fundamentalism; the religion of football; the cultlike unification of church and state. The tropes run the risk of feeling hackneyed, but this is Southern gothic territory, after all. Hudson brings something new to that terrain: an overt depiction of queer desire, welcome because writers such as Capote’s and McCullers’ depictions of queerness were so occluded.
A magical, deeply felt novel that breathes new life into an old genre.Pub Date: May 19, 2020
ISBN: 978-1-63149-629-5
Page Count: 272
Publisher: Liveright/Norton
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
A compelling exploration of self, family, love, and the power of new beginnings.
After a year in a coma, Annie Rush wakes up to a world without her husband, the TV she developed, and a wealth of memories that put her life into context, but as her body and mind heal, she puts her faith in second chances.
As a successful cooking-show producer who’s married to the gorgeous star, Annie knows she’s lucky, so she overlooks the occasional arguments and her husband’s penchant for eclipsing her. She’s especially excited the day she finds out she’s pregnant and, ignoring her typical steadfast schedule, rushes to the set to tell him. And discovers him making love to his onscreen assistant. Stunned, Annie leaves, trying to figure out her next move, and is struck on the head by falling on-set machinery. She wakes a year later in her Vermont hometown, as weak as a kitten and suffering from amnesia. As the days pass, however, she finds clues and markers regarding her life, and many of her memories begin to fill in. She remembers Fletcher, the first boy she loved, and how their timing was always off. She wanted to leave her family’s maple farm behind and explore the world—especially once her cooking-themed film school project was discovered and she was enfolded into the LA world of a successful food show. Fletcher intended to follow her, until life created big roadblocks for their relationship that they could never manage to overcome. Now, however, Annie’s husband has divorced her while Fletcher has settled in Switchback, and just as things look like they may finally click for Fletcher and Annie, her pre-accident life comes calling again. Wiggs (Starlight on Willow Lake, 2015, etc.) examines one woman’s journey into losing everything and then winning it all back through rediscovering her passions and being true to herself, tackling a complicated dual storyline with her typical blend of authenticity and sensitivity.
A compelling exploration of self, family, love, and the power of new beginnings.Pub Date: Aug. 9, 2016
ISBN: 978-0-06-242543-0
Page Count: 368
Publisher: Morrow/HarperCollins
Review Posted Online: Aug. 2, 2016
Kirkus Reviews Issue: Aug. 15, 2016
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